The Camaro Murders

The Camaro Murders by Ian Lewis Page B

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Authors: Ian Lewis
Tags: Fiction
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which I haven’t lost the taste. I just wanted a reminder of how things were, even if it hurts. Sometimes I think the memory is worth the loss; other times I’m not so sure.
    Maybe I’m not seeing things in perspective. Whatever happened to Starla is a tragedy; I won’t ever marginalize that. I just don’t know if it should have such a lasting impact on me. I’ve let it shape so much of who I am…
    I button up my coat and take a glance around the restaurant. I feel sluggish, like the deep fried aroma of this place has saturated me. The speckled countertop, the tattered menus, everything is so simplistic…I feel like I don’t belong here anymore.
    A few bills find their way from my pocket to the counter. I turn towards the door. My legs are sapped and reluctant to comply, but manage to stagger their way outside. I’m really not feeling well…head is light and airy…a little warm. A ripple of nausea in my middle…then I’m falling.

Homecoming
    February 23rd, 1999
    Sheriff Hildersham returns to the Mendelssohn farm
    Staring at a brass door knob, I’m on the front step of the Mendelssohn farm. My right hand rests on my service revolver while my head is full of indecision. Am I was wasting my time? Am I looking for trouble where there isn’t any?
    This is ground zero for me. I keep asking myself what I expect to find inside, but I can’t say. All’s I know is I never did my due diligence the first time around.
    The porch is like I left it—leaning and rickety. More of the paint wore off since ’87, but that’s to be expected. None of Mendelssohn’s family, if he had any, kept after the place.
    I thumb the key in my pocket. The gal who works at the real estate office—it turns out I went to high school with her daddy. That on top of being Sheriff guaranteed I didn’t have to answer questions. She took my word this was official business and gave me the key without any trouble.
    The lock sticks, but with a bit of jiggling it gives. My heart ramps up as I step over the threshold. I half expect to see that phantom boy again and chuckle to myself for being so jumpy. There’s nothing inside but my imagination.
    My first whiff of the place makes me cough; the dust is thicker than I thought it would be. On the wall, the holes are still there, filled with cobwebs. And there’s the far corner…
    The surprise I felt comes rushing back, the shock of seeing the boy. Any second I expect him to materialize, but he never does. The corner remains empty. It wasn’t real, was it? It was so long ago, I don’t think I can trust my memory.
    I move past the front room and into the hallway. Daylight is a faint glow at the end. It leads me to the rear of the house where there’s the dining room, and beyond that, the kitchen. Off to the right is a back room.
    The dining room is straightforward with its simple wooden table and chairs. There’s a ratty woven rug underneath. No wall hangings. A quick look and I’m sure there’s nothing to dig for here.
    In the kitchen there’re drawers and cabinets to inspect—old white ones with metal handles. I don’t find much other than the norm. Chipped plates and bowls aren’t telling.
    The back room is musty. The ceiling shows signs of leakage; the water stains creep in above the window. Aside from a beat-up couch and a wooden chair, it’s another bare room. Mendelssohn led the simple life.
    The second floor is next. I make my way along the hardwood to the front of the house, and then I climb the groaning stairs. The bathroom is at the top with a bedroom on either side. Around the corner from the steps is another door—probably the attic.
    I start with the first bedroom. The paisley wallpaper is peeling, and what I assume was Mendelssohn’s bed is made up nice and neat with a dull brown comforter. A nightstand sits next to it. I rummage through its drawer: a

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