of downtown L.A. The police substation was now squeaky-clean, but though the mark of Cain was fading, it wasn’t entirely gone.
The morgue was two buildings separated by a walkway, offices to the right, the Crypt on the left. A perennial swarm of black flies welcomed the visitor at the front doors. After the detectives signed in and donned protective garb, including shoe covers and face masks, Darwin took them down to the Crypt, the smell in the elevator growing stronger with every inch of descent. No matter how many times Decker had dropped by, it was the stink that always got to him.
The corridor was quiet, the doors of the foyer leading to the glassed-in autopsy rooms and the refrigeration area used for the storage of the bodies. Because of the tremendous glut of corpses, there were cadavers on gurneys in the hallways, most wrapped in plastic sheeting, but others were more visible, skin gray and growing mold.
The pathologist’s office was off the main hallway, set up like a galley-style kitchen with cabinets above and below, and stainless-steel countertops that spilled over with instruments of the trade—microscopes of various intensities along with scales, calipers, scalpels, tweezers, and camera equipment. There were seven jars containing body parts that floated in unnamed scientific liquids, mostly digits being rehydrated for fingerprinting. Darwin’s desk was tucked into a corner and was piled high with papers. The office provided adequate space for one person, but was crowded for four adults.
The activity centered around a microscope, the doctor and the detectives taking turns as they tried to make out details on a sullied piece of cloth. The swatch was roughly a six-inch square, most of it mud-colored. With the aid of the lens, Decker could see individual threads that still carried some of the original pink dye. Darwin reduced the magnification in order to make out the lettering, the clearest section directly in the middle of the fabric. The paint was rapidly flaking off.
Decker peered into the eyepieces. “Takes a little getting used to.”
“Yes, it does,” Darwin agreed. “But you can make out words.”
“I can make out letters.”
“What letters?” Marge took out her notepad.
“V-e-s…” A pause. “It looks like v-e-s-t-o-n .”
Marge wrote it down. “What else?”
“Underneath the v-e-s-t-o-n is d-i-a-n . Underneath that is a-p-o-l and underneath that is…” He let out a short breath. “I think it’s p-e-k… ” He peered at the area with intensity. “Everything else is smudgy.”
Darwin said, “Look before the p in the p-e-k. I think there is an o .”
“Yeah…yes, I see it. So it’s o-p-e-k .”
“Opek?” Oliver said. “The oil cartel?”
“That’s o-p-e-c, ” Decker told him.
Darwin said, “Look in the upper-left corner. You can also see lettering.”
Decker shifted the protected fabric and found the section that the pathologist was referring to. “Yes, I see it. A-j-o-r .”
“Exactly.”
“Anything else I should be looking for?”
“That’s all I could tell you at this magnification,” Darwin told him. “Perhaps we can scan it into the computer and it can bring up more information.”
“Good idea.” Decker pulled away from the instrument and rolled his shoulders. “Anyone else want to take a look?”
“I’ll take a crack at it,” Oliver said. The group waited in silence as Oliver looked over the fabric. “Yeah…that’s all I can make out as well.” He lifted his eyes from the lens. “Not exactly much to go on. The letters are obviously part of bigger words.”
Marge said, “We have to take the cloth in context.”
“What context?” Oliver asked.
“Well, for starters, what was the shirt used for?” Marge examined the fabric. “Because of the printing on it, I’d say that the garment was originally a T-shirt, a sweatshirt, or a jacket.”
Decker added, “Since the material is synthetic, my vote is with a jacket. T’s and
The morgue was two buildings separated by a walkway, offices to the right, the Crypt on the left. A perennial swarm of black flies welcomed the visitor at the front doors. After the detectives signed in and donned protective garb, including shoe covers and face masks, Darwin took them down to the Crypt, the smell in the elevator growing stronger with every inch of descent. No matter how many times Decker had dropped by, it was the stink that always got to him.
The corridor was quiet, the doors of the foyer leading to the glassed-in autopsy rooms and the refrigeration area used for the storage of the bodies. Because of the tremendous glut of corpses, there were cadavers on gurneys in the hallways, most wrapped in plastic sheeting, but others were more visible, skin gray and growing mold.
The pathologist’s office was off the main hallway, set up like a galley-style kitchen with cabinets above and below, and stainless-steel countertops that spilled over with instruments of the trade—microscopes of various intensities along with scales, calipers, scalpels, tweezers, and camera equipment. There were seven jars containing body parts that floated in unnamed scientific liquids, mostly digits being rehydrated for fingerprinting. Darwin’s desk was tucked into a corner and was piled high with papers. The office provided adequate space for one person, but was crowded for four adults.
The activity centered around a microscope, the doctor and the detectives taking turns as they tried to make out details on a sullied piece of cloth. The swatch was roughly a six-inch square, most of it mud-colored. With the aid of the lens, Decker could see individual threads that still carried some of the original pink dye. Darwin reduced the magnification in order to make out the lettering, the clearest section directly in the middle of the fabric. The paint was rapidly flaking off.
Decker peered into the eyepieces. “Takes a little getting used to.”
“Yes, it does,” Darwin agreed. “But you can make out words.”
“I can make out letters.”
“What letters?” Marge took out her notepad.
“V-e-s…” A pause. “It looks like v-e-s-t-o-n .”
Marge wrote it down. “What else?”
“Underneath the v-e-s-t-o-n is d-i-a-n . Underneath that is a-p-o-l and underneath that is…” He let out a short breath. “I think it’s p-e-k… ” He peered at the area with intensity. “Everything else is smudgy.”
Darwin said, “Look before the p in the p-e-k. I think there is an o .”
“Yeah…yes, I see it. So it’s o-p-e-k .”
“Opek?” Oliver said. “The oil cartel?”
“That’s o-p-e-c, ” Decker told him.
Darwin said, “Look in the upper-left corner. You can also see lettering.”
Decker shifted the protected fabric and found the section that the pathologist was referring to. “Yes, I see it. A-j-o-r .”
“Exactly.”
“Anything else I should be looking for?”
“That’s all I could tell you at this magnification,” Darwin told him. “Perhaps we can scan it into the computer and it can bring up more information.”
“Good idea.” Decker pulled away from the instrument and rolled his shoulders. “Anyone else want to take a look?”
“I’ll take a crack at it,” Oliver said. The group waited in silence as Oliver looked over the fabric. “Yeah…that’s all I can make out as well.” He lifted his eyes from the lens. “Not exactly much to go on. The letters are obviously part of bigger words.”
Marge said, “We have to take the cloth in context.”
“What context?” Oliver asked.
“Well, for starters, what was the shirt used for?” Marge examined the fabric. “Because of the printing on it, I’d say that the garment was originally a T-shirt, a sweatshirt, or a jacket.”
Decker added, “Since the material is synthetic, my vote is with a jacket. T’s and
Similar Books
