The Book of Khalid

The Book of Khalid by Ameen Rihani Page B

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Authors: Ameen Rihani
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sun-downs to teach me in the arts that enrapture, exalt, supernaturalise. Sing me a lullaby, O Mother eternal! Give me to drink of thy love, divine and diabolic; thy cruelty and thy kindness, I accept both, if thou wilt but whisper to me the secret of both. Anoint me with the chrism of spontaneity that I may be ever worthy of thee.—Withdraw not from me thy hand, lest universal love and sympathy die in my breast.—I implore thee, O Mother eternal, O sea-throned, heaven-canopied Goddess, I prostrate my face before thee, I surrender myself wholly to thee. And whether I be to-morrow the censer in the hand of thy High Priest, or the incense in the censer,—whether I become a star-gem in thy cestus or a sun in thy diadem or even a firefly in thy fane, I am content. For I am certain that it shall be for the best
. —K HALID .

CHAPTER I
THE DOWRY OF DEMOCRACY
    OLD ARABIC BOOKS, PRINTED IN BULAQ, generally have a broad margin wherein a separate work, independent of the text, adds gloom to the page. We have before us one of these tomes in which the text treats of the ethics of life and religion, and the margins are darkened with certain adventures which Shahrazad might have added to her famous Nights. The similarity between Khalid’s life in its present stage and some such book, is evident. Nay, he has been so assiduous in writing the marginal Work, that ever since he set fire to his peddling-box, we have had little in the Text worth transcribing. Nothing, in fact; for many pages back are as blank as the evil genius of Bohemia could wish them. And how could one with that mara upon him, write of the ethics of life and religion?
    Al-Hamazani used to say that in Jorajan the man from Khorasan must open thrice his purse: first, to pay for the rent; second, for the food; and third, for his coffin. And so, in Khalid’s case, at least, is Bohemia. For though the purse be not his own, he was paying dear, and even in advance, in what is dearer than gold, for his experience. “O, that the Devil did not take such interest in the marginal work of ourlife! Why should we write it then, and for whom? And how will it fare with us when, chapfallen in the end and mortified, we stand before the great Task-Master like delinquent school boys with a blank text in our hands?” (Thus Shakib, who has caught the moralising evil from his Master.) And that we must stand, and fall, for thus standing, he is quite certain. At least, Khalid is. For he would not return to the Text to make up for the blank pages therein, if he were not.
    “When he returned from his last sojourn in Bohemia,” writes our Scribe, “Khalid was pitiful to behold. Even Sindbad, had he seen him, would have been struck with wonder. The tears rushed to my eyes when we embraced; for instead of Khalid I had in my arms a phantom. And I could not but repeat the lines of Al-Mutanabbi,
    “So phantom-like I am, and though so near,
    If I spoke not, thou wouldst not know I’m here.”
    “No more voyages, I trust, O thou Sindbad.” And he replied, “Yes, one more; but to our dear native land this time.” In fact, I, too, was beginning to suffer from nostalgia, and was much desirous of returning home.” But Shakib is in such a business tangle that he could not extricate himself in a day. So, they tarry another year in New York, the one meanwhile unravelling his affairs, settling with his creditors and collecting what few debts he had, the other brooding over the few blank pages in his Text.
    One day he receives a letter from a fellow traveller, a distinguished citizen of Tammany Land, whom he had met and befriended in Bohemia, relating to an enterprise of great pith and moment. It was election time, we learn, and the high post of political canvasser of the Syrian District wasoffered to Khalid for a consideration of—but the letter which Shakib happily preserved, we give in full.
    “Dear Khalid:
    “I have succeeded in getting Mr. O’Donohue to appoint you a canvasser of the Syrian

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