The Bones of Grace by Tahmima Anam Page B

is remote and sad and emerges rarely, as if from a deep sleep, and in these moments she is joyful, as if she is discovering, for the first time, that the war was won after all. And then, inevitably, she withdraws into those dark places. My parents whisper to each other at night, out of earshot. They follow the trial, every episode, every motion, every witness. Me, I don’t want to know. I seek the connection, but resist when the opportunity is offered. My heart is a nomad, still, after so many years of being in this country, child to these parents.
    Can you ever know, Elijah, the feeling of being from a place you wish you could hate but are forced to love? Can you know what it is like to be from a country that everyone else is trying to escape? It is like running into a burning building. If you ask me, I’ll tell you all the things I love about it – the smell of paperbacks in the winter, the cold-but-warm gust of monsoon air, the burnished wood on the desk I had as a teenager, dark from the oil of my skin, lying under the ceiling fan on my grandmother’s bed, the taste of egg and parathas in my mouth. The love exists, but its domain is small, located in the particular bodies ofparticular people. My parents fought a war for this country, that is how much in love with it they are. There is a memory at every turn, an affection for every change in season, roots in the ground so deep you would have to tear them apart to separate person from place, body from soil. But not me.
    One day my mother returns from the courthouse and she puts her head in her hands and cries as if someone is beating her. I stand a little apart and watch her shoulders sagging. My father goes to her and puts his arms around her and they sit that way for a long time. They see me and we look at each other and I stand there and they don’t ask me to enter or leave and I don’t enter or leave. I have witnessed it before, this thing that passes between them like a current, the knowledge that needs no explanation, and I know that she is remembering something, or remembering it through the story of someone else, heavy with what she knows and what she has recently learned, because it is always worse than she remembers, and every memory takes something away from the rest of her life, because she came away unscathed, and the burden of being who she is – whole – weighs heavy on her. She is a person with guilt at the very core of her being, and she spends her days compensating others for the fortune that brought her a life, a marriage, me. She is a moral economy all to herself, painted in tiny strokes of the past.
    Someone had been nearly acquitted that day. They hadn’t been able to make the case against him and he had gotten off with a light sentence. With a change in government, even this small verdict might be overturned, and the man might walk free. On the streets, there were protests, and people painting their faces in green and red, and children with rope around their necks, holding up signs that read HANG THE BASTARD . My parents are not the only ones who want a reckoning.
    What would you do with this messy history, Elijah? Your chamomile-scented home, your overfed cat, lemonade in the refrigerator, and that family tree, so august, no mystery blood, no revolutions, Indiana Jones an anchor in your provenance.
    That afternoon, your message had read: Don’t You Pay Them No Mind .

    â€˜Your mother and I are worried,’ my father said. Ammoo had left early for a field trip to Barisal, and we were on the balcony overlooking Gulshan Lake. I looked down and saw the green water, the rim of garbage that lapped the shore, the necklace of apartment buildings that sat at the edge of the water on the other side.
    â€˜I don’t know what to do,’ I said. ‘I keep asking myself and I just can’t tell.’ I remembered seeing a drowned cow in the lake soon after we moved in, and I had returned again and again to