a lance against small rings that served as targets. Since most of the young lancers were right-handed, the carousels were turned in a counterclockwise direction by their servants.â
He chuckled and put down his glass. âThat may be the clue thatâll crack this whole case.â
Then he went to bed with her.
In the morning he remembered that he hadnât called Governor Holland to report on his conversation with Xavier Mann. But he decided it might be better to wait until heâd had an opportunity to confront Mannâs wife. Instead of reaching for the phone he walked to the window and stretched cat-like in the morning air, filling his lungs with the sweet scent of spring.
âAre you trying to freeze me out?â April complained from the bed, snuggling back under the covers.
âDonât you know itâs spring?â he answered with a grin. But he closed the window and started to dress. They were on the second floor. The rooms occupied by Sloane and his secretary in the other wing had also been on this floor. The killer could hardly have entered through the window of Sloaneâs room, so that left only the door. And, as Miss Walsh had told him, that meant Sloane had known or at least expected the person who killed him. He glanced towards the door, trying to imagine what circumstances would have caused him to open it before eight in the morning.
âWhat are you thinking about?â April asked, finally venturing out of the rumpled bed.
âSloaneâs murder.â
âGod! You really keep your mind on your job, donât you?â
âMost of the time.â
âWell? With all that thought you should know who killed him.â
âBut I donât.â He pondered another moment. âHow about you?â
She shrugged. âProbably a man. He was wearing his robe over pyjamas. Wouldnât he have got dressed if he was expecting a lady visitor?â
âNot if they were lovers.â
âGod, Mike! He was an old man!â
âNot that old.â He thought about it while he dressed. âApril, why does a man take his secretary with him on a business trip?â
âOnly two reasonsâeither theyâre lovers or he has work for her to do.â
âThatâs the way I see it.â
âYou think this Suzanne Walshââ
âI donât know. Thereâs a big difference in their ages, and she seems more the spinster type. Butâcould be.â
âDoes she have any idea who killed him?â
âI think she figures it was Dahlman, trying to cover his tracks for some reason. After all, thatâs what brought Sloane to Rockview.â
âYou said last night that you saw the film.â
âDid I say that?â
She nodded. âIn one of your more passionate moments you even compared me with the girl in The Wild Nymph .â
He grinned and bent in front of the mirror, brushing back his cowlick. âThere are similarities.â
âSo what else was in the movie? Any clues to Dahlmanâs identity?â
âNot a thing. But it was filmed around here. The interiors at Mannâs plant, apparently, and the rest of it out in the woods.â
âTwenty years ago. Thatâs a long time.â
âA long time. I wonderââ
The telephone interrupted him, and he glanced automatically at his watch. It was just after nine oâclock, and he knew this would be Governor Holland again, wanting a progress report.
But he was wrong. The voice on the other end sounded sleepy and far away. âMike, this is Parker, out in L.A.â
âParker! Isnât it still the middle of the night out there?â
âDamn right it is! But I wanted you to know Iâve been working for you.â
âYouâve got the information?â
âIâve got it. The newspapers and trade press kept pretty close track of him in those days. Iâm mailing you a full report, but I
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