The Audacity of Hope
that had shaped his life’s work. Indeed, it was said that Senator Byrd’s passion for the Senate was exceeded only by the tenderness he felt toward his ailing wife of sixty-eight years (who has since passed away)—and perhaps by his reverence for the Constitution, a pocket- sized copy of which he carried with him wherever he went and often pulled out to wave in the midst of debate.
I had already left a message with Senator Byrd’s office requesting a meeting when I first had an opportunity to see him in person. It was the day of our swearing in, and we had been in the Old Senate Chamber, a dark, ornate place dominated by a large, gargoyle-like eagle that stretched out over the presiding officer’s chair from an awning of dark, bloodred velvet. The somber setting matched the occasion, as the Democratic Caucus was meeting to organize itself after the difficult election and the loss of its leader. After the new leadership team was installed, Minority Leader Harry Reid asked Senator Byrd if he would say a few words. Slowly, the senior senator rose from his seat, a slender man with a still-thick snowy mane, watery blue eyes, and a sharp, prominent
nose. For a moment he stood in silence, steadying himself with his cane, his head turned upward, eyes fixed on the ceiling. Then he began to speak, in somber, measured tones, a hint of the Appalachians like a knotty grain of wood beneath polished veneer.
I don’t recall the specifics of his speech, but I remember the broad themes, cascading out from the well of the Old Senate Chamber in a rising, Shakespearean rhythm—the clockwork design of the Constitution and the Senate as the essence of that charter’s promise; the dangerous encroachment, year after year, of the Executive Branch on the Senate’s precious independence; the need for every senator to reread our founding documents, so that we might remain steadfast and faithful and true to the meaning of the Republic. As he spoke, his voice grew more forceful; his forefinger stabbed the air; the dark room seemed to close in on him, until he seemed almost a specter, the spirit of Senates past, his almost fifty years in these chambers reaching back to touch the previous fifty years, and the fifty years before that, and the fifty years before that; back to the time when Jefferson, Adams, and Madison roamed through the halls of the Capitol, and the city itself was still wilderness and farmland and swamp.
Back to a time when neither I nor those who looked like me could have sat within these walls.
Listening to Senator Byrd speak, I felt with full force all the essential contradictions of me in this new place, with its marble busts, its arcane traditions, its memories and its ghosts. I pondered the fact that, according to his own autobiography, Senator Byrd had received his first taste of leadership in his early twenties, as a member of the Raleigh County Ku Klux Klan, an association that he had long disavowed, an error he attributed—no doubt correctly—to the time and place in which he’d been raised, but which continued to surface as an issue throughout his career. I thought about how he had joined other giants of the Senate, like J. William Fulbright of Arkansas and Richard Russell of Georgia, in Southern resistance to civil rights legislation. I wondered if this would matter to the liberals who now lionized Senator Byrd for his principled opposition to the Iraq War resolution—the MoveOn.org crowd, the heirs of the political counterculture the senator had spent much of his career disdaining.
I wondered if it should matter. Senator Byrd’s life—like most of ours—has been the struggle of warring impulses, a twining of darkness and light. And in that sense I realized that he really was a proper emblem for the Senate, whose rules and design reflect the grand compromise of America’s founding: the bargain between Northern states and Southern states, the Senate’s role as a guardian against the passions of the moment, a

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