cigarette in one grinding motion. “Let’s get started.”
“I thought we already had,” she murmured. Her eyes were luminous and amused. He wanted to choke her every bit as much as he wanted to crawl for her. “You insisted on painting.”
“Don’t push me too far, Kirby. You have a tendency to bring out my baser side.”
“I don’t think I can be blamed for that. Maybe you’ve locked it up too long.” Because she’d gotten precisely the reaction she’d wanted, she became completely cooperative. “Now, where do you want me to stand?”
“By the east window.”
Tie score, she thought with satisfaction as she obliged him.
He spoke only when he had to—tilt your chin higher, turn your head. Within moments he was able to turn the anger and the desire into concentration. The rain fell, but its sound was muffled against the thick glass windows. With the tower door nearly closed, there wasn’t another sound.
He watched her, studied her, absorbed her, but the man and the artist were working together. Perhaps by putting her on canvas, he’d understand her…and himself. Adam swept the charcoal over the canvas and began.
Now she could watch him, knowing that he was turned inward. She’d seen dozens of artists work; the old, the young, the talented, the amateur. Adam was, as she’d suspected, different.
He wore a sweater, one he was obviously at home in, but no smock. Even as he sketched he stood straight, as though his nature demanded that he remain always alert. That was one of the things she’d noticed about him first. He was always watching. A true artist did, she knew, but there seemed to be something more.
She called him conventional, knowing it wasn’t quite true. Not quite. What was it about him that didn’t fit into the mold he’d been fashioned for? Tall, lean, attractive, aristocratic, wealthy, successful, and…daring? That was the word that came to mind, though she wasn’t completely sure why.
There was something reckless about him that appealed to her. It balanced the maturity, the dependability she hadn’t known she’d wanted in a man. He’d be a rock to hold on to during an earthquake. And he’d be the earthquake. She was, Kirby realized, sinking fast. The trick would be to keep him from realizing it and making a fool of herself. Still, beneath it all, she liked him. That simple.
Adam glanced up to see her smiling at him. It was disarming, sweet and uncomplicated. Something warned him that Kirby without guards was far more dangerous than Kirby with them. When she let hers drop, he put his in place.
“Doesn’t Hiller paint a bit?”
He saw her smile fade and tried not to regret it. “A bit.”
“Haven’t you posed for him?”
“No.”
“Why not?”
The ice that came into her eyes wasn’t what he wanted for the painting. The man and artist warred as he continued to sketch. “Let’s say I didn’t care much for his work.”
“I suppose I can take that as a compliment to mine.”
She gave him a long, neutral look. “If you like.”
Deceit was part of the job, he reminded himself. What he’d heard in Fairchild’s studio left him no choice. “I’m surprised he didn’t make an issue of it, being in love with you.”
“He wasn’t.” She bit off the words, and ice turned to heat.
“He asked you to marry him.”
“One hasn’t anything to do with the other.”
He looked up and saw she said exactly what she meant. “Doesn’t it?”
“I agreed to marry him without loving him.”
He held the charcoal an inch from the canvas, forgetting the painting. “Why?”
While she stared at him, he saw the anger fade. For a moment she was simply a woman at her most vulnerable. “Timing,” she murmured. “It’s probably the most important factor governing our lives. If it hadn’t been for timing, Romeo and Juliet would’ve raised a half-dozen children.”
He was beginning to understand, and understanding only made him more uncomfortable. “You thought it
Immortal Angel
O.L. Casper
John Dechancie
Ben Galley
Jeanne C. Stein
Jeremiah D. Schmidt
Becky McGraw
John Schettler
Antonia Frost
Michael Cadnum