The Ape's Wife and Other Stories
from that of animals of our days – the simple augmentation of type, and sometimes also the beginning and successive perfecting of these beings. Therefore, let us dismiss this idea of monstrosity, my good Mrs. Larimer, a concept which can only mislead us, and only cause us to consider these antediluvian beasts as digressions. Instead, let us look upon them, not with disgust. Let us learn, on the contrary, to perceive in the plan traced for their organization, the handiwork of the Creator of all things, as well as the general plan of Creation.”
    “How very inspirational,” Mrs. Belford beams, and when she softly claps her gloved hands, the others follow her example. Professor Ogilvy takes this as his cue that the ladies of the Women’s Christian Temperance Union have heard all they wish to hear this afternoon on the subject of the giant plesiosaur, recently excavated in Kansas from the chalky banks of the Smoky Hill River. As one of the newer additions to his menagerie, it now frequently forms the centerpiece of the Professor’s daily presentations.
    When the women have stopped clapping, Mrs. Larimer dabs at her nose with a swatch of perfumed silk and loudly clears her throat.
    “Yes, Mrs. Larimer? A question?” Professor Ogilvy asks, turning back to the women. Mr. Larimer – an executive with the Front Range offices of the German airship company, Gesellschaft zur Förderung der Luftschiffahrt – has donated a sizable sum to the museum’s coffers, and it’s no secret that his wife believes her husband’s charity would be best placed elsewhere.
    “I mean no disrespect, Professor, but it strikes me that perhaps you have gone and mistaken the provenance of that beast’s design. For my part, it’s far easier to imagine such a fiend being more at home in the sulfurous tributaries of Hell than the waters of any earthly ocean. Perhaps, my good doctor, it may be that you are merely mistaken about the demon’s having ever been buried. Possibly, to the contrary, it is something which clawed its way up from the Pit.”
    Jeremiah Ogilvy stares at her a moment, aware that it’s surely wisest to humor this disagreeable woman. To nod and smile and make no direct reply to such absurd remarks. But he has always been loathe to suffer fools, and has never been renowned as the most politic of men, often to his detriment. He makes a steeple of his hands and rests his chin upon his fingertips as he replies.
    “And yet,” he says, “oddly, you’ll note that on both its fore- and hind limbs, each fashioned into paddles, this underworld fiend of yours entirely lacks claws. Don’t you think, Mrs. Larimer, that we might fairly expect such modifications, something not unlike the prominent ungula of a mole, perhaps? Or the robust nails of a Cape anteater? I mean, that’s a terrible lot of digging to do, all the way from Perdition to the prairies of Gove County.”
    There’s more laughter, an uneasy smattering that echoes beneath the high ceiling beams, and it elicits another scowl from an embarrassed Mrs. Belford. But the Professor has cast his lot, as it were, for better or worse, and he keeps his eyes fixed upon Mrs. Charles W. Larimer. She looks more chagrined than angry, and any trace of her former bluster has faded away.
    “As you say, Professor ,” and she manages to make the last three syllables sound like a badge of wickedness.
    “Very well, then,” Professor Ogilvy says, turning to Mrs. Belford. “Perhaps I could interest you gentle women in the celebrated automatic mastodon, a bona-fide masterpiece of clockwork engineering and steam power. So realistic in movement and appearance you might well mistake it for the living thing, newly resurrected from some boggy Pleistocene quagmire.”
    “Oh, yes. I think that would be fascinating,” Mrs. Belford replies, and soon the women are being led from the main gallery up a steep flight of stairs to the mezzanine where the automatic mastodon and the many engines and hydraulic

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