came bursting in, at much greater volume. It seemed to be coming from below. Now I remembered a similar sound. As a boy, I had been befriended by Tyrkir the metalworker and had helped him at his forge. When Tyrkir was beating out a heavy lump of iron, he would relax between the blows by letting his hammer bounce lightly on the anvil. This is what I was hearing. It sounded as if a dozen Tyrkirs were letting their hammers tap idly in a continuous, irregular ringing chorus.
Another burst of the sound accompanied the young man who now stepped into the reception room. Thurulf was about my age, about eighteen or nineteen, though taller. A well-set-up young man, his cheerful countenance was fringed by a straggly reddish-orange beard which made up for the fact that he was going prematurely bald. His face was ruddy and he was sweating.
‘Thurulf, be so kind as to show our young friend Thorgils to a guest room - the end room, I think. He will be staying with us for some time. Then you might bring him down to the exchange later in the afternoon.’ With studied courtesy the old man waited until I was walking out of the door before he turned back to take the next bite of his apple.
I followed Thurulf’s broad back as he stepped out onto an internal balcony, which ran the entire length of the building, and found myself looking down on a curious sight.
Laid out below me was a long workshop. It must have been at least forty paces in length and perhaps ten paces broad. It had the same small high windows protected with heavy bars which I had seen in the ground-floor antechamber. Now I noticed that the outer wall was at least three feet thick. A heavy, narrow workbench, set high and securely fixed, ran for the full length of the wall. At the bench a dozen men sat on stools. They were facing the wall, away from me, so I could only see the backs of their heads and they were bowed over their work, so I could not make out what they were doing. All I could see was that each man held a small hammer in one hand and what looked like a heavy, blunt peg in the other. Each worker was making the same action, again and again and again. From a box beside him he lifted an item so small that he was obliged to pick it up carefully between forefinger and thumb, then he placed it in front of him. Next he set the peg in position and struck the butt end with his hammer. It was the metallic sound of this blow repeated regularly by a dozen men, which I had been hearing from the moment I had entered Brithmaer’s premises.
Looking down on the line of stooped, hammer-wielding workmen as they beat out their rhythm, I wished Herfid the skald had been standing beside me. I knew exactly what he would have said: he would have taken one glance and burst out, ‘Ivaldi’s Sons!’ for they would have reminded him of the dwarves who created the equipment of the Gods: Odinn’s spear, Thor’s hammer and the golden wig for Sif, Thor’s wife, after she had been shorn by the wicked Loki.
Thurulf led me along the balcony to the last door on the right and showed me into a small sleeping room. It had a pair of wooden beds, set into the walls like mangers, and I put my leather satchel on one of them to claim it. The battered satchel was my only baggage.
‘What are all those men with the hammers doing?’ I asked Thurulf.
He looked puzzled by my ignorance. ‘You meant with striking irons?’
‘The men in the workshop down there.’
‘They’re making money.’ I must have looked mystified, for Thurulf went on, ‘Didn’t you know that my uncle Brithmaer is the king’s chief moneyer?’
‘I thought he was the royal jeweller.’
Thurulf laughed. ‘He’s that also in a small way. He makes far more money by making money, so to speak, than by supplying the palace with gems. Here, I’ll show you.’ And he led me back to the balcony and down a wooden ladder, which led directly to the floor of the workshop.
We walked over to the heavy bench and stood beside one of
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