Sweetgrass by Mary Alice Monroe Page A

biscuits. Morgan was saying how he longed for them. Please, won’t you come in? We just had dinner, but I have pecan pie. And coffee.” She grinned wide. Nona’s love for coffee was well known.
    “Maybe just for a coffee. It’ll give me a chance to catch up with that wild boy of yours.”
    Later, after coffee and pie were finished and Morgan had gone off to tend to Blackjack, Mama June spoke in confidential tones to Nona about what had transpired that afternoon.
    “Good riddance,” Nona said, her lip curled in disgust. “That woman is a real pain in the you-know-where. Always has been.”
    “What have I done?” Mama June asked, staring out with dismay.
    “You showed some backbone, that’s what you’ve done. Praise Lord!”
    Mary June placed her fingers to her brow. “A lot of good it did me. I’ve alienated my family. Now I’m alone.”
    Nona pursed her lips, then said, “No, you’re not. You have me.”
    Mama June dropped her hand. “But…”
    “I realized I was no kind of friend to let you go through this alone. Not after all we’ve been through together. Now, I can’t do all I used to—and neither can you. But together we’ll manage. I’ll come by to make sure the house is running smoothly and make certain you’re not starving while you tend to your husband. And I’ll lend an ear when you need it. It’s the least any friend could do.”
    Mama June’s hands squeezed around Nona’s. “I can’t thank you enough. Just knowing you’re here…”
    “Let’s not get all weepy. Lord knows, we’ve got our work cut out for us!”

6
    Skill, craftsmanship and long hours of work are involved in making sweetgrass baskets. A simple design can take as long as twelve hours. A larger, more complex design can take as long as two to three months.
    NONA SIGHED HEAVILY as she brought her van to a stop at Sweetgrass. She looked through the shaded windshield at the handsome white house. It sure was a picture, she thought, cloaked as it was in the pink light of early morning. She’d spent the better part of her life working in this old house and a part of her was happy to come back to it. Maize couldn’t understand such feelings—and that was okay. Nona prided herself on the choices she’d made in her own life and didn’t care to change her ways now. The wind did blow when Maize heard she’d decided to come back to work at Sweetgrass, but it was up to Maize to accept what was.
    Nona pulled herself out from the shiny white van, stretching a bit after landing in the soft gravel. She’d bought the car after years of saving her basket money, and every time she looked at it, a ripple of pride coursed through her. Usually itwas stuffed to the brim with her baskets, but she’d removed the treasures to store safely in her house until things were settled here at Sweetgrass. She pulled from the van a large canvas bag filled with grass, palmetto fronds and her tools. Every spare minute, her fingers sewed the baskets.
    Blackjack greeted her in his usual manner, a grayed muzzle at her thigh and his tail waving behind like a tom-tom drum.
    “Hello, you ol’ hound dog,” she exclaimed with affection, bending to pat the fur.
    Morgan’s voice caught her by surprise. “’Morning, Nona! You’re here early. What? You can’t stay away?”
    His tall, lanky form came from around the side of the house. He was dressed in a faded old T-shirt that was torn at the neck, paint-splattered jeans and worn hiking boots caked with mud. His face was as yet unshaven, and his thick brown curls tumbled askew on his head. He looked like the eight-year-old boy she remembered running in from the field, blue eyes twinkling, to show her a robin’s egg or a snake skin or some other treasure he’d unearthed.
    Nona clucked her tongue. “What you got in your hands there?” she asked, indicating the towel he was carrying. “A frog?”
    He lifted a paintbrush from the towel. “I’m fixing up the kitchen house. Mama June wants the new