Sweet Filthy Boy by Christina Lauren Page A

about overlit airports or cramped airplanes.
    We stow our bags, take our seats. I’m in the middle, he’s in the aisle, and there’s an older man reading a paper next to the window, whose elbows press into my space, sharp but oblivious.
    Ansel adjusts his seat belt and then adjusts it again before reaching above us for the vent. He aims it at himself, then at me, then back at himself before turning it down. He turns on the light, and his hands drop back into his lap, restless. Finally, he closes his eyes and I count as he takes ten deep breaths.
    Oh, shit. He’s a nervous flyer.
    I am the worst possible person in this moment because I don’t speak freely, not even in moments like this when some easy reassurance is required. I feel frantic inside, and my reaction to “frantic” is to go completely still. I’m the mouse in the field and it feels like every unknown situation in my life is an eagle flying overhead. It’s suddenly comical that I’ve chosen to do this.
    Announcements are made, disasters prepared for, and the plane is off, climbing heavily through the night sky. I take Ansel’s hand—it’s the least I can do—and he grips it tightly.
    God, I want to make this better.
    About five minutes later, his hand goes slack, and then slides dully away from mine, heavy with sleep. Maybe if I’d given him more notice—or if I’d let him talk more the first night we met—he would have been able to tell me how much he hates to fly. Maybe then he would have been able to tell me he took something to help him sleep.
    The cabin lights dim and both men beside me are dead asleep, but my body seems to be unable to relax. It’s not a normal feeling, being wound up like this. It’s a bit like having a fever, being restless in my own skin, unable to find a comfortable position.
    I pull out the book I blindly shoved into my carry-on; unfortunately, it’s the memoir of a famous female CEO—a graduation gift from my father. The cover alone—a photo of her standing in a sensible suit against a stark blue background—does nothing to settle my sour stomach. Instead I read every word of the airplane safety insert and SkyMall in the seat pocket in front of me, and then steal the airline magazine from Ansel’s pocket and flip through it.
    I still feel like hell.
    Pulling my legs up, I press my forehead to my knees, turn my air up as far as it will go. I try to breathe deeply, but nothing seems to help. I’ve never had a panic attack before, so I don’t know what one feels like, but I don’t think it’s this.
    I hope that’s not what this is.
    It’s only when the flight attendant hands me a menu, and both options—salmon or tortellini—make my stomach revolt, that I realize what I’m feeling isn’t just nerves. It isn’t even the renewed rearing of my hangover’s head; this is something else. My skin is hot and oversensitive. My head swims.
    The food is wheeled into the cabin, the smell of salmon and potatoes and spinach so pungent and thick that I’m gasping, stretching on my seat to get closer to the thin stream of cool air. It’s not enough. I want to escape to the bathroom, but immediately know I won’t make it. Before I can wake Ansel, I’m frantically digging in the seat pocket in front of me for the airsickness bag, barely getting it open before bending over and violently hurling inside.
    It doesn’t get any worse than this moment right here, I’m sure of it. My body is in charge, and no matter how much my brain tells it to be quiet, to throw up like a proper lady—fucking quietly —it won’t. I groan, feeling another wave hit me, and beside me Ansel comes awake with a jerk. He presses a hand to my back and his sharp “Oh, no!” brings my humiliation fully to the surface.
    I really can’t let him see me like this.
    I push to stand, tripping over him before he has time to get out of his seat and practically falling into the aisle. I’m getting looks from other passengers—looks of shock and pity