âBut I do try in other ways, donât I? To make up?â
Joan laughed nastily.
âLots of things you think I want. Bringing in the coal â Iâd bring in the coal. Beating the doormat â Iâd beat the doormat. Clearing out the bird â Iâd ⦠None of the things I really want. All I want is just the one thing. Iâll put the kettle on.â She turned and stomped off down the passage to the kitchen.
Confused by the outburst, Henry followed Joan, watched from the door while she slammed mugs down on the table. The rhinestones on her bodice glittered at him like a swarm of angry red eyes, as she pirouetted to the fridge for milk and foxtrotted towards the sugar.
âOne day, perhaps, youâll give some serious thought to what Iâm saying.â
âOh, I will,â said Henry, and the great mercy was that as his wife cha-chaâd towards the kettle, an idea came to him.
On the walls of the studio Fred Astaire danced with Ginger Rogers: huge, blown-up photographs, a little muzzy, for the cameras of those days were not quite up to the speed of their twirling. Henry stood in the middle of the bare floor marvelling at the sight of them. His hand closed more tightly on the small paper bag that held his lunch. He listened to the thirties music that oozed from a small grille high up in one of the walls. He half-closed his eyes, felt himself spinning as fluently as Fred Astaire ⦠Wonderful. Joan, light in his arms, smiling up at him.
When Henry looked down, eyes fully open, he saw he had raised one leg, slightly, but had not moved an inch. Fearful that he should be caught in so foolish a position in the middle of the floor, he hastened to a chair at the side of the room and took out his sandwich. A moment later Madame Lucille entered. Madame Lucille was well into her sixties, but you could see at once she had been a famous dancer in her time â the bouncy walk that set the muscles of her calves twinkling up and down.
She made an impressive entrance for Henry alone, coming right up to him before she spoke. She had white-blonde hair and powdered wrinkles. Her multi-coloured dress clung everywhere.
âMr Cake?â
âThatâs right.â
âIâm sorry to have kept you waiting, Mr Cake.â
âNo trouble.â
Madame Lucilleâs eyes jumped with great disdain to Henryâs sandwich.
âHave you come here for your
lunch,
Mr Cake? Or to learn how to dance?â
âOh, Iâm so sorry. You see, itâs my lunch hour. I thought a quick bite â¦â
âIâm afraid we cannot entertain eating and drinking in the studios, Mr Cake, though Iâll close my eyes to it this once.â
âThank you.â
He slid the sandwich into the pocket of his mackintosh, and laid the mackintosh on the chair.
âYouâll have to make your appointments after work. On your way home. Iâm open till seven.â
âIâm not sure I could work that in ââ
âItâs up to you. Now, shall we begin?â
Madame Lucille offered Mr Cake her hand, led him into the centre of the studio.
âWhat stage is it youâre at, Mr Cake? As a dancer?â
âOh, quite a beginner, I should say.â
âThen we shall start at the beginning.â
Henry felt a freezing sensation in his legs. The flesh of his hand that Madame Lucille clasped in her warm little fingers had turned entirely to bone. Anything to put off the moment when she would urge him to move â¦
âBut my wife, sheâs a champion,â he said. âShe won cups all over the Midlands before we married.â
âMy. Did she?â
âThatâs the trouble, really, with her being the champion. I didnât think it would be, but it turned out to be.â
âSo youâre here secretly â a few lessons â to surprise her?â
âHow did you know?â
Madame Lucille smiled. âThirty
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