Such Is Life by Tom Collins Page B

fair across the horse’s loins; in the impulse of self-preservation grasping the cantle with both hands. The small thigh-pads afforded a good rough hold, and the next buck jammed the poor fellow well under the seat of the saddle. The position was neither pleasant nor dignified, though certainly more secure for an amateur than the conventional style; particularly after the horse’s tremendous plunges had raised the back of the saddle a foot or more by dint of fair wedging.
    Price, Mosey, Thompson, and Cooper forgot the dangers of the time, and discontinued their work, drawing near the spot with a carefully preserved air of indifference and pre-occupation. Even Dixon ignored his screwmatics, and composed his demeanour to something like apathy.
    Owing to the leverage of the saddle, the girth was gripping Cleopatra in a ticklish place, and the bow of the saddle was dipping into another ticklish place, whilst Willoughby’s swinging feet provided for the ticklish places on the horse’s thighs and flanks. Cleopatra mistook all this for deliberate provocation, and responded to the very best of his splendid ability. Early in the entertainment, Willoughby’s hat was bucked off his head; presently the Wellington boot was bucked off one foot, and the blucher off the other, the prince-alberts following in due course. Then the portion of attire known to one section of society as ‘linen’, and to another as the ‘beef-bag’, was bucked out of that necessary garment which we shrink from naming. The ground was cut up as if rooted by pigs; yet Cleopatra was only just warming to his work; and the whaler was still clinging to the saddle like a native bear to a branch.
    â€œGod help thee, Jack,” I remarked listlessly; “thou hast a bitter breakfast on’t.”
    â€œHe’ll tire the horse out yet,” said Thompson, with an artificial yawn. “Good lad, Willoughby! stick to him a bit longer.”
    â€œGot no holt,” observed Dixon. “Gone goose, any time.”
    â€œHe don’t want no pipeclay, anyhow,” said Mosey, with childish levity. “Dark-complexion people ought to steer clear o’ playful horses.”
    All eyes were turned on the young fellow’s face in surprise and reprehension; and he uneasily attempted to carry off his inadvertent solecism with a sort of swagger.
    â€œThe horse can’t hold out much longer at that rate,” repeated Thompson, stooping to lace his boots.
    â€œCan’t he?” drawled Cooper, poking out the stem of his pipe with a stalk of grass. “He can hold out till something gives way. That’s what he’s in the habit o’ doin’, I’m thinkin’; an’ he ain’t goin’ to break his rule this time.”
    â€œThe Far-downer got at you that trip, Collins,” remarked Mosey, seeking to retrieve his dignity by turning his back on the performance. “He seen you comin’. Say, ole son—how’d you like to swap back?”
    â€œI kep’ misdoubtin’ that hoss all the (adj.) time,” observed Nestor wisely. “I felt sort o’ jubious, on’y I didn’t wanter say nothink.”
    â€œThere goes the pore (fellow) at last; I knowed the horse would do it,” said Cooper, as the stern captive spurn’d his weary load, and asked the image back that heaven bestowed.
    â€œCollar the horse quick!” suggested Dixon. “Nail him now, or you’ll never ketch him.”
    â€œNo great hurry,” I muttered, dismounting. “However, I think I’d better have it out with him while he’s warm. Or perhaps one of you fellows would like a try, while I do his yoking—just for a change?”
    Cleopatra, now nibbling the scanty grass, glanced from time to time with grave sympathy at his late rider, who was occupying himself with his toilet.
    â€œKetch the (horse) quick!” reiterated Dixon.
    â€œI wouldn’t mind if