Stopping for a Spell

Stopping for a Spell by Diana Wynne Jones Page B

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one of its corners around his feet. He came down on his face, half inside the room and half in the garden. The piano and the dining table both bore down on him. He scrambled up and bolted. I’ve never seen anyone run so fast.
    The table was after him like a shot, but the piano got its rear caster stuck on the sill. It must be very awkward having to gallop with only one leg at the back. I went to help it, but the faithful piano stool and my favorite chair got there first and heaved it free. Then it hunched its wide front part and fairly shot across the garden and out into the road after the flying Angus Flint. The chairs and tables all set out, too, bravely bobbling and trundling. Last of all went Menace, barking as if he were doing all the chasing single-handed.
    I don’t know what the other people in the street thought. The dining table collided with a lamppost halfway down the street and put itself out of the running. But the piano got up speed wonderfully and was hard on Angus Flint’s heels as he shot into the next street. After that we lost them. We were too busy collecting exhausted tables and chairs, which were strewn all down the street. The piano stool had only got as far as the garden gate, and my favorite chair broke a caster getting through the window. We had to carry them back to the house. And there was a fair amount of tidying up to do indoors, what with the books, the carpets, and Cora’s bed.
    Cora’s bed, probably the most insulted piece of furniture in the house, must have been frantic to get at Angus Flint, too. It had forced itself halfway through the bedroom door and then stuck. We had a terrible job getting it back inside the room. We had just done it and were wearily trying to mend the dining table—which has never been the same since—when we heard twanging and clattering noises coming from the sitting room. We were in time to see the piano come plodding back through the window and put itself in its usual place. It looked tired but satisfied.
    â€œDo you think it’s eaten him?” Pip said hopefully.
    The piano didn’t say. But it hadn’t. Mum and Dad came back, and we were all cheerfully having a cup of tea when Angus Flint suddenly came shooting downstairs. We think he climbed up the drainpipe in order not to meet the piano again. I suspect that Cora’s bed was rather glad to see him.
    â€œI’m just leaving,” Angus Flint said.
    It was music to our ears! He went straight out to his car, too, carrying his suitcase. We all came out to say polite good-bye—or polite good-riddance, as Tony put it.
    â€œI’ve had a wonderful time,” Angus Flint said. “Here’s a football for you, Pip.” And he held out to Pip a flat orange thing. It was Pip’s own football, but it was burst. “And this is for you,” he said to Tony, handing him a fistful of broken plastic. Then he said to me, “I’m giving you some paper.” And he gave me one sheet of my own paper. One sheet! I’d had a whole new block.
    â€œI do hope Cora’s bed bit you,” I said sweetly.
    Angus Flint gave me the Stare for that, but it wasn’t as convincing as usual, somehow. Then he got into his car and drove away. Actually drove away and didn’t come back. We cheered.
    It’s been so peaceful since. Mum wondered whether to sell the new tables, but we wouldn’t let her. They are our faithful friends. As for the piano, well, Pip has decided he’s going to be a genius at something else instead. His excuse for giving up lessons is that Miss Hawksmoore’s false teeth make her spit on his hands when she’s teaching him. They do. But the real reason is that he’s scared of the piano. I’m not. I love it more than that coward Menace, even, and I’m determined to work and work until I’ve learned how to play it as it deserves.

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