relief.
He pulls a chair from the wall to the bedside. A few more words, then heâs out of here. âI know youâre worried about Michael. His tour will end andââ
âHe could be dead right now.â The sharp words stab his gut. He takes a deep breath.
âYou and me, we made it out. So will he.â
âYou donât know that. Horrible things happen there every day.â
âYou have two other kids waiting for you to pull yourself together.â
âTheir lives are their own,â his voice barely audible.
âYou mean if theyâre not in danger you donât care about them?â His own voice louder than necessary.
âSomething like that.â
He flashes on three-year-old Glory riding his shoulders. Each time they reached a doorway, sheâd yell, âduck.â And heâd quack. She thought that was hilarious.
âMy daughterâs in the Middle East.â
Nothing.
âSheâs a witness . . . for peace.â Sounds ridiculous, like some religious calling. Even with Ava he doesnât talk about what Gloryâs actually doing there. Does he know? He wants to believe in her bravery, her expectations, but how can something good hurt him so much?
âShe wants to make a difference,â he continues, but this too sounds stupid. It doesnât matter. Bruce isnât listening, his eyes still closed, his face expressionless. He could be dead, but heâs alive. No mistaking the stone finality of dead: itâs the first thing that hits, even before the smells.
âIâll see you soon. Try and get it together.â But even as he says this he wonders if Bruce is finished trying. He wants to give his arm a brotherly pat but is afraid to touch him, a man stalked by doom. He heads out but doesnât stop to speak to Shelly, because what can he say?
The receptionist eyes him suspiciously. âForget it,â he calls over his shoulder. âIâm not moving in.â
⢠⢠â¢
Itâs a few streets to reach his car. He walks quickly, Bruce heavy in his head, the hospitalâs sour smell with him as well. Not a hint of sun, the air thick, punishing. Heat and traffic noise follow him. He could do with a cold beer. The whole world sucks is what.
Triborough Bridge or Midtown Tunnel, which one to take? Heâs already having trouble breathing, being underwater wonât help. Before he can stick the key in the ignition, Bruceâs open-eyed face appears in the windshield. Not a good sign. He switches on the radio. Bruceâs face refuses to disappear. He fiddles with the dial to get conversation. Bruce stares at him.
He shuts his eyes. Itâs a visitation, a warning, the kind Scrooge received. Only it isnât about time past, itâs about now, maybe the future. âAnything can happen to anyone anywhere, we know that, man.â Heâs talking out loud. To Bruce. Thatâs crazy. But he canât stop himself. âOur kids want to live. Theyâll take care same as we did. You and me, Bruce, we share the doom, but thatâs it, man. Things are changing for me. Iâm beginning to get a life here.â
He opens his eyes: the grimy windshield holds only a vision of a narrow street of small shops, garbage cans along the curb. Taxis whiz through changing lights. People rush by. Destination is all. He has one, too. Heâs taking Ava to a late afternoon movie. When was the last time heâd done that? The film could make Ava late for her shift. Rosalyn will stay an extra hour, friend that she is.
The voice on the radio sounds serious. He ratchets up the volume. The manâs selling prepaid funerals. He laughs.
Â
6
Butter and Ketchup
Getting out of the shower, she hears the phone, grabs the towel robe, and hurries to the living room.
âYes? Hello?â A little breathless.
âDina? Itâs Rosalyn. You sound funny.â
âItâs unusual to get a call
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