few meetings with Helen Tate, the Realtor, hadnât gone well. She had evidently checked up on the value of our home in Seattle on the Web, and I could see the dollar signs swimming in her eyes the first time she showed up to take me looking at properties. She had been somewhat dismayed when I fell in love with a vintage-Âbut-Âdilapidated three-Âbedroom midcentury modern. Located in the Bayside area of Fairhaven, with a spectacular, cliffside view, it was listed as a âfixer-Âupper.â With plenty of sixty-Âyear-Âold plumbing issues, lots of dry rot, and a sagging roof, not to mention a collection of more recent but steamy dual-Âpaned windows that had long since lost their seals, the place should have been listed as a tear-Âdown. There was only one problem with thatâÂI wanted it.
The original owner, a widower, had recently been carted off to an Alzheimerâsâ facility. His son, who lived out of state, simply wanted to dispose of the place with the least possible amount of effort and fuss.
The thing is, I could tell that underneath all the filth and trash, the house had good bones. The spectacular view of the bay, the interior courtyard, and the expansive windows all beckoned to me. There was so much glass that, once the fogged windows were replaced, weâd be able to see right through the house from back to front. You can get those kinds of views in high-Ârise condos occasionally, but finding them in a house was unusual.
Even so, I hoped it would be possible for Mel to see past the neglect to the houseâs buried charm. Something about the old place felt familiar and inviting and made me want to bring the derelict back from the dead. That stormy day in February, when Mel agreed to meet Helen and me at the house during her lunch break, both the Realtor and I held our collective breaths as Mel, dressed in her uniform and heels, wandered thoughtfully from room to room.
âI see what you mean,â Mel said at last, picking her way through yet another minefield of debris as she returned to the living room. âThe place does have good bones, but itâs going to take a lot of work. Are you sure youâre up to it?â
I nodded.
âWhat happens to all this stuff?â Mel asked, gesturing at the piles of junk surrounding her.
âThe ownerâs son lives out of town. He doesnât want any of it, and he doesnât want to have to deal with it, either,â Helen explained. âHeâs ready to be done with it.â
âWeâd be buying the place as is, contents and all, no contingencies,â I added. âThat means whatever is left here, weâd have to haul away, and whateverâs broken, weâd have to fix. Iâve already called Jim Hunt to see if heâd be willing to come take a look and give us some suggestions.â
Mel eyed me speculatively. âJim Hunt, as in the guy who designed both your bachelor pads?â
I nodded, guilty as charged. After Karen divorced me, I had moved into a unit at the Royal Crest in downtown Seattle with little more than the clothes on my back and the one piece of furniture that Karen had allowed me to takeâÂmy recliner. One of the secretaries at the department had referred me to Jim, and he had done a complete job of creating a livable condo from a barren shell, up to and including linens and pots and pans. Our only disagreement was over the recliner. He wanted it gone, but I was adamant. The recliner was mine, and I was keeping it. In the years since it had been recovered more than once.
Mel wandered over to the spot where a baby grand piano peeked out from under a mountain of magazines and newspapers. âYou say everything stays, even this?â she asked, pausing long enough to open the dust-Âladen lid and play a scale. Even I could hear that the piano was hopelessly out of tune.
Helen nodded. âThat, too,â the Realtor said helpfully.
âAll
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