someone like you, I was very coolly analytical. Then when I stumbled over you and started probing, all that vanished. I knew you were meant to come here and do this reconstruction." "Why?" "Because I looked at you and saw myself." He pushed back his chair and stood up. "You've had enough to digest at one time. And I don't mean your breakfast. We'll talk later." "You haven't told me anything that would make me want to continue this discussion." "I had to break the ice. It's not the time for details." "I want you to drive me back to that landing strip. I'll have Soldono arrange a flight out." He headed for the door. "I believe you'll change your mind." "You'll be wrong." "You know, I never thought you'd take money for the reconstruction." He stopped at the door. "It was just an opening play. I knew from the beginning what would make you work with me. That gave me time to try to find something that would make you want to stay after you got down here. I had Miguel put a report on the desk in your bedroom. You might look at it before you make a decision." "Report?" But he'd already left the room. She stared after him, filled with frustration and bewilderment. Jesus, what kind of man was he? Deadly, threatening, and yet the threats had been so matter-of-fact that she had not felt fear. There had been a sort of bizarre companionableness, an intimacy, about the way he had talked to her. I looked at you and saw myself. "Chat finished?" Soldono was standing in the doorway. "You don't look too pleased." "I'm not. He doesn't even have the skull I'm supposed to reconstruct. He has to rob a grave to get it." "And what did you tell him?" "That I was going to ask you to arrange a flight out for me." She stood up. "Will you do it?" "I'll do my best." He added, "But if he doesn't want to let you go, it may be useless. It would take an army to get you out of here unless he gives the word." "Just make the arrangements. I'll deal with Montalvo." Soldono nodded, frowning thoughtfully. "What grave is he going to rob?" "He didn't tell me. What does it matter?" "Everything about Montalvo's movements matters. They have repercussions all down the line. You might consider doing the job for him. It would make your exit easier." She stared at him in disbelief. "And your job easier too, I suppose." "Infinitely easier." He looked her in the eye. "I don't care about disturbing the dead if it keeps you alive and on your way back home." Her anger ebbed away. "I don't have any right to judge you. This is my responsibility. I knew when I came down here that I was stepping into a spider's web and I might have a hell of a time breaking out of it." "A hell of a time," he echoed. "So do whatever you have to do to get all of us away from here with our skins intact." "I'll think about it." She headed for the door. "But don't hold your breath." Do whatever you have to do. Soldono's words repeated in her mind as she climbed the steps to her room. Those words were easy to say, but she couldn't go along with that philosophy. Not when it came to her work. Soldono and the CIA made deals all the time and a good many of them were with criminals like Montalvo. Even though she'd made a deal with Montalvo, she wasn't sure that she could countenance his deception, much less-- Miguel put a report on the desk in your bedroom. Her steps instinctively quickened as she reached the top of the staircase. A blue binder was lying on the desk. She moved slowly toward it. I knew from the beginning what would make you work with me. She flipped open the cover of the binder. Bonnie Duncan. A picture of Bonnie taken the year before she disappeared. A sheaf of papers over half an inch thick. Oh, my God. She sank down in the desk chair and started to go through the pages.
"They'll know we're coming." Galen looked down at the jungle below. "We can't get anywhere near that compound without Montalvo knowing that he has visitors." "All we have to do is get