Sons and Lovers (Barnes & Noble Classics Series) by D. H. Lawrence Page B

when it was really over between them, both made an effort to come back somewhat to the old relationship of the first months of their marriage. He sat at home and, when the children were in bed, and she was sewing—she did all her sewing by hand, made all shirts and children’s clothing—he would read to her from the newspaper, slowly pronouncing and delivering the words like a man pitching quoits. au Often she hurried him on, giving him a phrase in anticipation. And then he took her words humbly.
    The silences between them were peculiar. There would be the swift slight “cluck” of her needle, the sharp “pop” of his lips as he let out the smoke, the warmth, the sizzle on the bars as he spat in the fire. Then her thoughts turned to William. Already he was getting a big boy. Already he was top of the class, and the master said he was the smartest lad in the school. She saw him a man, young, full of vigour, making the world glow again for her.
    And Morel sitting there, quite alone, and having nothing to think about, would be feeling vaguely uncomfortable. His soul would reach out in its blind way to her and find her gone. He felt a sort of emptiness, almost like a vacuum in his soul. He was unsettled and restless. Soon he could not live in that atmosphere, and he affected his wife. Both felt an oppression on their breathing when they were left together for some time. Then he went to bed and she settled down to enjoy herself alone, working, thinking, living.
    Meanwhile another infant was coming, fruit of this little peace and tenderness between the separating parents. Paul was seventeen months old when the new baby was born. He was then a plump, pale child, quiet, with heavy blue eyes, and still the peculiar slight knitting of the brows. The last child was also a boy, fair and bonny. Mrs. Morel was sorry when she knew she was with child, both for economic reasons and because she did not love her husband; but not for the sake of the infant.
    They called the baby Arthur. He was very pretty, with a mop of gold curls, and he loved his father from the first. Mrs. Morel was glad this child loved the father. Hearing the miner’s footsteps, the baby would put up his arms and crow. And if Morel were in a good temper, he called back immediately, in his hearty, mellow voice:
    “What then, my beauty? I sh’ll come to thee in a minute.”
    And as soon as he had taken off his pit-coat, Mrs. Morel would put an apron round the child, and give him to his father.
    “What a sight the lad looks!” she would exclaim sometimes, taking back the baby, that was smutted on the face from his father’s kisses and play. Then Morel laughed joyfully.
    “He’s a little collier, bless his bit o’ mutton!” he exclaimed.
    And these were the happy moments of her life now, when the children included the father in her heart.
    Meanwhile William grew bigger and stronger and more active, while Paul, always rather delicate and quiet, got slimmer, and trotted after his mother like her shadow. He was usually active and interested, but sometimes he would have fits of depression. Then the mother would find the boy of three or four crying on the sofa.
    “What’s the matter?” she asked, and got no answer.
    “What’s the matter?” she insisted, getting cross.
    “I don’t know,” sobbed the child.
    So she tried to reason him out of it, or to amuse him, but without effect. It made her feel beside herself. Then the father, always impatient, would jump from his chair and shout:
    “If he doesn’t stop, I’ll smack him till he does.”
    “You’ll do nothing of the sort,” said the mother coldly. And then she carried the child into the yard, plumped him into his little chair, and said: “Now cry there, Misery!”
    And then a butterfly on the rhubarb-leaves perhaps caught his eye, or at last he cried himself to sleep. These fits were not often, but they caused a shadow in Mrs. Morel’s heart, and her treatment of Paul was different from that of the