Slow Sculpture

Slow Sculpture by Theodore Sturgeon Page B

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Authors: Theodore Sturgeon
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corridor whether it was all there or not, and he did, disappearing again into the inferno.
    She staggered back toward the clothespress. She felt mad, drunk, crazy. Maybe it was the de-oxygenated atmosphere and maybe it was fear and reaction, but it was sort of wonderful, too; she felt her face writhing and part of her was numb with astonishment at what the rest of her was doing; she was laughing. She slammed into the clothespress, gasping for breath, filled her lungs and delivered up a shrill peal of laughter. Almost helpless from it, she fumbled down a dull satin evening gown with a long silver sash. She held it up in front of her and laughed again, doubling over it, and then straightenedup, rolling the dress up into a ball as she did so. With all her might she hurled it into the rubble of the hallway. Next was a simple black dress with no back and a little bolero; with an expression on her face that can only be described as cheerful, she threw it after the evening gown. Then the blue, and the organdy with the taffeta underskirt, and the black and orange one she used to call her Hallowe’en dress; each one she dragged out, held up, and hurled: “You,” she growled between her convulsions of laughter, “you, and you, and
you
.” When the press was empty, she ran to the bureau and snatched open her scarf drawer, uncovering a flowerbed of dainty, filmy silk and nylon and satin shawls, scarves, and kerchiefs. She whipped out an over-sized babushka, barely heavier than the air that floated it, and ran with it to the flaming mass where her door once was. She dipped and turned like a dancer, fluttering it through flame, and when it was burning she bounced back to the bureau and put it in the drawer with the others. Fire streamed out of the drawer and she laughed and laughed.…
    And something nipped her sharply on the calves; she yelped and turned and found the lace of her black negligee was on fire. She twisted back and gathered the cloth and ripped it away. The pain had sobered her and she was bewildered now, weak and beginning to be frightened. She started for the window and tripped and fell heavily, and when she got up the smoke was suddenly like a scalding blanket over her head and shoulders and she didn’t know which way to go. She knelt and peered and found the window in an unexpected direction, and made for it. As she tumbled through, the ceiling behind her fell, and the roof after it.
    On her belly she clawed away from the house, sobbing, and at last rose to her knees. She smelt of smoke and burned hair and all her lovely fingernails were broken. She squatted on the ground, staring at the flaming shell of the house, and cried like a little girl. But when her swollen eyes rested on that square patch in the grass, she stopped crying and got up and limped over to it. Her cotton print, and the picture … she picked the tidy package up and went tiredly away with it into the shadows where the hedge met the garage.
XIII
    O’Banion raised his head groggily from the fly-leaf of his
Blackstone
and the neat inscription written there:
    The law doth punish man or woman
    That steals the goose from off the common
,
    But let the greater felon loose
,
    That steals the common from the goose
.
    —a piece of eighteenth-century japery which O’Banion deplored. However, it had been written there by Opdycke when he was in law school, and the Opdyckes were a darn fine family. Princeton people, of course, but nobody minded.
    All this flickered through his mind as he swam up out of sleep, along with “What’s the matter with my head?” because any roaring that loud must be in his ears; it would be too incredible anywhere else, and “What’s the matter with the light?”
    Then he was fully awake, and on his feet. “My
God!

    He ran to the door and snatched it open. Flame squirted at him as if from a hose; in a split second he felt his eyebrows disappear. He yelled and staggered back from it, and it pursued him. He turned and dove

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