Silent in the Sanctuary
not wish to go may stay here, of course, but the rest of us mean to enjoy ourselves, vibrations be damned. Now, let us speak of something else. I am thoroughly bored with this subject. Mrs. King, have you read Lord Dalkeith’s paper on the use of classical allusion in the sonnets of Shakespeare? It’s rubbish of course, but I wondered what you thought of it.”
    Aunt Dorcas lapsed into furious silence, or rather into furiously muttering at her vegetables. But as her complaints were not audible to the rest of the company, we ignored her and turned our attention to Mrs. King.
    She had ducked her head at Father’s question and was blushing furiously, darting little glances from under her lashes. “Oh, your lordship, I hardly think I possess either the education or the natural intelligence to speak on such matters in such company. But I did think Lord Dalkeith’s point about the Parthenon to be very well-argued, did you not, my lord?” she asked, turning to Brisbane.
    Brisbane, in the middle of a very fine gâteau, paused. “Naturally I would defer to Lord March’s opinion. I believe he has already questioned Lord Dalkeith’s sources, is that not correct, my lord?” he asked, returning the question neatly to Father. Portia had mentioned his recent attendance at Father’s society meetings, but to my knowledge Brisbane had no great love of literature. The only books I had seen in his rooms had been of an eclectic and scholarly bent. There were volumes on the natural sciences, history, warfare, and—oddly enough—lives of the mystic saints, but no plays, no poetry, no novels. Why then this sudden attachment to Shakespeare?
    I looked from Brisbane, newly enthusiastic on the scriptures of the Bard, to my father, their greatest prophet. And in between them sat Mrs. King, a picture of pink-and-white innocence, wearing a betrothal ring from Brisbane on her left hand and chattering happily with both of them.
    And I wondered precisely what my father had been doing while I was away.
    *
    After the conversation about Shakespeare had wound to a close and the gâteau was thoroughly savoured, Portia rose and gestured for the ladies to follow. At Bellmont Abbey, ladies withdrew, but not in quite the same fashion as in other great houses. Here, ladies were taken to the lesser drawing room to drink their own spirits and smoke a bit of tobacco without the gentlemen present. Hoots always fussed about the smell getting into the draperies, but Aunt Hermia just told him to open the windows and sweep the carpets, that the dogs were worse. Usually, the ladies greatly enjoyed a chance to “let down their back hair”, and even the primmest of women was seduced into conviviality by our habits. Confidences were exchanged, little jokes made, and many ladies later claimed that the evenings they spent at Bellmont Abbey were among the most amiable of their lives.
    I, however, was in no mood to be amiable. I was tired from the journey, and more than a little eager to gain the privacy of my room and turn over the many questions that had been puzzling me all evening. But I did not have the energy to make my excuses to Portia. She could have taught Torquemada a thing or two about extracting information, and I knew I would not escape her without endless questions. It seemed simpler just to follow along and endure.
    As we withdrew, I noticed Violante, lagging behind, her hand pressed to her stomach. I slowed my steps to match hers.
    “Violante, are you quite all right?”
    She nodded. “The English food. It is not very good. Heavy. Like rocks.”
    I bristled, but did not mention how perfectly inedible I had found gnocchi. “I am sorry you are unwell. Won’t you join us for a little while? I can have Aquinas brew up a tisane for you.”
    She shook her head. “I have the fennel pastilles in my room. They make me right. Buona notte, Giulia.”
    I kissed her cheek and sent her on her way, envying her a little. The poor girl looked every bit as exhausted

Similar Books

Black Jack Point

Jeff Abbott

Sweet Rosie

Iris Gower

Cockatiels at Seven

Donna Andrews

Free to Trade

Michael Ridpath

Panorama City

Antoine Wilson

Don't Ask

Hilary Freeman