he might have killed her?â he asked.
âYou said he was very angry. Maybe he was angry enough at her and her mother to shoot her as some sort of twisted revenge for cutting him out of all her money.â
âIâve never thought about it, but it could have happened that way.â
âItâs just a theory,â I shrugged.
âIâve spent thirty years hating Ray Janson for what I thought he did,â Holloway said. âI guess I canât hate him anymore. But I want someone to blame for what happened to Laura. If it turns out to be Davy Valentine, her father, that would be great. Iâd love to hate that bastard Valentine for the next thirty years.â
Chapter 15
S HERRY DeConde, Laura Marloweâs first agent, had an office on the second floor of a townhouse in Greenwich Village.
âI remember the first day I met Laura,â she told me. âI was just starting out then, barely out of college and trying to break into the business of being an agent. She came up to see me with her mother. I knew right away she could be a star. Even at that young age you could tell. She had something special. You spend a lifetime in this business looking for someone like Laura. And she just walked into my office that day.â
Doing the math, I knew that Sherry DeConde had to be close to sixty. But she looked a lot younger than that. She had long, blond, straight hair that hung halfway down her back and made her look a bit like like a â60s hippie. She was wearing blue jeans, brown leather boots, and a T-shirt underneath a checkered flannel shirt on top. It wasnât exactly sexy attire, but somehow it made her look sexy. Not in a young girl way, but that âbeen there, done that . . . this is the real me, take it or leave itâ look.
âPeople talk about overnight stars, but there really arenât any,â she said. âSure, stardom is about luck and opportunity and sometimes even talent too. But most of all, you canât give up. Thatâs what I always told Laura and her mother. I put her up for everythingâteen shows, commercials, movie roles. But she was just another facein the crowd. Then suddenly, when she was nineteen, she exploded into this incredible superstar. Iâve been in this business a long time, and Iâve never seen anything like it. It was amazing.â
âHow did Laura handle the early rejections?â
âShe was fine, but it really bothered her mother. Beverly is not what you would call a patient woman. She was, to put it bluntly, the stage mother from hell. Always second guessing, always criticizing, always giving me a hard time over everything I did. Look, I know Beverly wanted to be an actress herself once so there was a lot of frustration on her part. Unfortunately, she took it out on everybody around herâme, producers and, worst of all, on Laura. I felt sorry for that girl. I took care of her. Somebody had to.â
âDidnât her mother take care of her?â
She shrugged. âIâm sure Beverly loved her daughter. But she showed it in funny ways. It was like she wanted to turn Laura into what she always wanted to be. She said she was doing it all for Laura, but I think she was really doing it for herself. Maybe it would have been different if Lauraâs father was around. But he left when she was just a little girl. Laura had no one to rely on but Beverly and me. I think she was very lonely. So I wound up spending a lot of time with her. I was more than Lauraâs agent. She became kind of like a daughter to me.â
Thatâs what Abbie had said. Sherry DeConde had been almost like a âsurrogate motherâ to the struggling young actress.
âBut you were probably only a few years older than her back then, right?â I pointed out.
âOkay, maybe I was more like a big sister,â she laughed.
It was a nice laugh. A helluva laugh actually. I looked around the office.
Lorie O'Clare
C.M. Steele
Katie Oliver
J. R. Karlsson
Kristine Grayson
Sandy Sullivan
Mickey J. Corrigan
Debra Kayn
Phillip Reeve
Kim Knox