seated together along the outside wall and looked dated and 'scientific,' like Dr. and Madame Curie; flecks of brilliant yellow and cadmium blue, then of orange and red, revolved over them, cast by the color wheel hung in the middle distance.
When the Robbins had entered, they had nodded vaguely to us — he taught only upperclassmen. Then Mr. Robbin had turned his radium-seeking gaze on Del and said, 'You're Nightingale, aren't you? New boy? Getting on all right?' Gossip had informed all of the school that Del Nightingale was a fabulously wealthy orphan, one of whose legal guardians was a bank he in fact owned. Robbin sat beside his wife and held up an arm; With the other hand he indicated his wrist watch. 'Satellite tonight. Five to ten. An artificial star. A miracle.'
Besides Tom, Del, and myself, the waiters were Bobby Hollingsworth, Tom Pinfold — still grouchy about the game — and Morris Fielding. Morris, who played piano, had volunteered on the chance that the band might be worth hearing.
Shortly after eight the musicians arrived, carrying their instrument cases. Several carloads of sophomores and juniors followed them into the auditorium. The ones with dates went for paper cups of punch, the ones without leaned against the wall and watched the musicians setting up on the cavernous stage.
Dwarfed on the immense apron of the stage, the eleven men in the band sat down in their chairs and began riffling through sheet music. Morris and I had great hopes for one of the tenor saxophone players, who wore dark glasses. They put their horns in their mouths and began to play 'There's a Small Hotel.'
Hollis Wax and a prefect named Paul Derringer came in with their dates just after eight-thirty; seeing that no one had yet begun to dance, they moved to the senior tables and began looking around for our white coats. 'This is going to be a great homecoming dance,' Wax said to his date as I approached. 'After a fiasco like today.' Then to me: 'Gin and tonic. For all of us.' He tilted his head to look at the band. 'Look at those guys. Bunch of oompah shoe salesmen. One of 'em's blind.' I went off to get the punch. 'Bring us the Everly Brothers too, while you're up,' Wax called out.
Within the next twenty minutes most of the seniors arrived, dressed as their fathers had been at the game; at most of the dances, the school relaxed its rule about ties and jackets. The first brave couples went out into the big empty space and began to dance. Mr. and Mrs. Robbin got up wearily from their table and meandered around the dance floor. Bobby Hollingsworth and I made up another batch of punch by pouring grape juice, sparkling water, and root beer into a cut-glass bowl. The band began on 'Polka Dots and Moonbeams,' and Mr. Robbin's head twisted back and forth as he computed distances between the couples nearest him. Like Dave Brick, he generally wore a slide rule slung from his belt, and he looked as though he missed it. The tenor player in the sunglasses stood up to solo, and proved that he had been worth waiting for. Bobby Hollingsworth turned smiling to me as we ladled out the terrible punch, and nodded toward Terry Peters, who was standing near one of the large doors on the outside wall. Beside him was a stunning girl. Peters was unscrewing the cap off a silvery flask and making sure that Mr. Robbin was looking the other way. He poured from the flask into his date's cup and his own.
Morris Fielding rushed up to me carrying a tray and said, 'Six cups. Isn't he great? He really blows! Who do you think influenced him, Bill Perkins or Zoot Sims?'
Just as Morris was leaving with his six cups of punch, Terry Peters wheeled his date out the door, moving so quickly that almost no one saw him go. Bobby Holingsworth started laughing, and then abruptly stopped. I too stopped what I was doing. Skeleton Ridpath, in a black sweater and black
When the Robbins had entered, they had nodded vaguely to us — he taught only upperclassmen. Then Mr. Robbin had turned his radium-seeking gaze on Del and said, 'You're Nightingale, aren't you? New boy? Getting on all right?' Gossip had informed all of the school that Del Nightingale was a fabulously wealthy orphan, one of whose legal guardians was a bank he in fact owned. Robbin sat beside his wife and held up an arm; With the other hand he indicated his wrist watch. 'Satellite tonight. Five to ten. An artificial star. A miracle.'
Besides Tom, Del, and myself, the waiters were Bobby Hollingsworth, Tom Pinfold — still grouchy about the game — and Morris Fielding. Morris, who played piano, had volunteered on the chance that the band might be worth hearing.
Shortly after eight the musicians arrived, carrying their instrument cases. Several carloads of sophomores and juniors followed them into the auditorium. The ones with dates went for paper cups of punch, the ones without leaned against the wall and watched the musicians setting up on the cavernous stage.
Dwarfed on the immense apron of the stage, the eleven men in the band sat down in their chairs and began riffling through sheet music. Morris and I had great hopes for one of the tenor saxophone players, who wore dark glasses. They put their horns in their mouths and began to play 'There's a Small Hotel.'
Hollis Wax and a prefect named Paul Derringer came in with their dates just after eight-thirty; seeing that no one had yet begun to dance, they moved to the senior tables and began looking around for our white coats. 'This is going to be a great homecoming dance,' Wax said to his date as I approached. 'After a fiasco like today.' Then to me: 'Gin and tonic. For all of us.' He tilted his head to look at the band. 'Look at those guys. Bunch of oompah shoe salesmen. One of 'em's blind.' I went off to get the punch. 'Bring us the Everly Brothers too, while you're up,' Wax called out.
Within the next twenty minutes most of the seniors arrived, dressed as their fathers had been at the game; at most of the dances, the school relaxed its rule about ties and jackets. The first brave couples went out into the big empty space and began to dance. Mr. and Mrs. Robbin got up wearily from their table and meandered around the dance floor. Bobby Hollingsworth and I made up another batch of punch by pouring grape juice, sparkling water, and root beer into a cut-glass bowl. The band began on 'Polka Dots and Moonbeams,' and Mr. Robbin's head twisted back and forth as he computed distances between the couples nearest him. Like Dave Brick, he generally wore a slide rule slung from his belt, and he looked as though he missed it. The tenor player in the sunglasses stood up to solo, and proved that he had been worth waiting for. Bobby Hollingsworth turned smiling to me as we ladled out the terrible punch, and nodded toward Terry Peters, who was standing near one of the large doors on the outside wall. Beside him was a stunning girl. Peters was unscrewing the cap off a silvery flask and making sure that Mr. Robbin was looking the other way. He poured from the flask into his date's cup and his own.
Morris Fielding rushed up to me carrying a tray and said, 'Six cups. Isn't he great? He really blows! Who do you think influenced him, Bill Perkins or Zoot Sims?'
Just as Morris was leaving with his six cups of punch, Terry Peters wheeled his date out the door, moving so quickly that almost no one saw him go. Bobby Holingsworth started laughing, and then abruptly stopped. I too stopped what I was doing. Skeleton Ridpath, in a black sweater and black
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