thoughts, I guess."
"Pleasant thoughts, I hope," Susan Richards said. She wore a white robe that gave her already delicate beauty an almost spectral cast. He thought, being a movie critic, of the painting of Laura in Preminger's great film, and then he realized, in his heart rather than his groin, that ever since meeting her a few days ago he'd had a somewhat active crush on Susan.
She joined him, leaning on her elbows at the railing. She smelled wonderfully of skin lotion and perfume.
He laughed. "I wish they were pleasant, Susan. I'm afraid at this time of night, all I can think of is what a jerk I've been with people I've loved."
She was in profile, perfect profile, but still he could see how his words affected her. A slight jolt of the body, as if she'd been struck. The shadow of melancholy falling across the eye and mouth. "We all have those regrets, Tobin." She turned to him gently. Were there soft tears in her eyes? "And you never get rid of them, no matter how many people you surround yourself with, or how much noise you create."
"I see you know what I'm talking about."
"Of course."
They turned their attention back to the silvery water, to the endless night. At such moments the mere notion of daylight seemed impossible. It would always be night, and a world of whispers and shadows, and guilt.
He felt, wanting her, feckless as an eighth-grader.
He let his elbow touch her elbow just the tiniest bit and she startled him completely by taking his hand.
"Do you like holding hands?"
"I love holding hands," he said.
"Good, then let's hold hands and watch the water and not talk, all right?"
His heart, his groin, and perhaps his entire soul seemed to be logjammed in his throat. He gulped and said with a cracking eighth-grade voice, "Fine."
While he didn't talk, he did watch her, the beauty that was so easy to see yet so remote in some way he could not understand but only sense. Her hand was silken and beneath the tender flesh he felt the delicate bones and small tendons of her fingers. God, he was so dizzy, it really was like eighth grade, words and the proper moves lost to him.
She spoke first. "Wouldn't it be nice to take a lifeboat and row to an island somewhere, one of those islands Gauguin liked to paint, and just live there peacefully the rest of your life?" Tears were still evident in her voice, and a subtle hint of desperation.
He was thinking of her, of going to that island with her, and for a moment his self-loathing was gone and he saw them in some ridiculous but fetching movie as island mates, tummies pleasantly filled with the fish he'd speared earlier that afternoon in waters blue as Aqua Velva, and making love on a bed of gigantic green palm fronds near a crystal waterfall.
"I'd leave in a minute," he said. Then he brought her to him and started to kiss her, trying to make his move gentle and tender, rather than threatening or overtly sexual.
But she crossed her slender arms in front of her so he could not get close enough to kiss her. "I don't mean to be a tease," she said.
"It's all right. I shouldn't have done that."
"Well, for what it's worth, a part of me wanted you to do that."
He let her go. "I think I'd rather wait till all of you wants me to do that."
She took his hand again and held it to her face and for some reason, he thought of a small beautiful child hugging her brown fuzzy teddy bear.
Her eyes were closed in unfathomable yearning and she said, her voice slight and nearly lost in the sudden caw of ocean birds again, "I think I can sleep now. I think I can now."
She left.
It was both abrupt and graceful, her departure, and he was struck again with the word spectral, because she was so much the lovely ghost as her white robe faded, faded down the gloom of the deck until she was
Kyra Davis
Colin Cotterill
Gilly Macmillan
K. Elliott
Carol Wallace, Bill Wallance
Melissa Myers
Pauline Rowson
Emily Rachelle
Jaide Fox
Karen Hall