Saturn's Children
movements half-glimpsed from the corner of one eye. She has our meticulous attention to detail, but applies it to places and things as much as to people and manners. She’s always looking over her shoulder. She always feels watched, but not by friends. She always feels tense, but not afraid. And she has a very strong sense of who she is.
    The stars glare down like lidless, unblinking specks set deep in the sockets of a skull-like sky. It’s as black and empty as an airless crypt, and I know at once there is little atmosphere above us, even before I feel the fatty heater packs that encircle my joints under the quilted suit and heavy brocade coat that I wear. Brocade? Fabric? I glance around at the stony landscape, the low, drystone wall, seeing it in the ghostly tones of boosted vision. There’s moonlight . . . I look up at the tiny, fleeing pebble in the sky, racing from horizon to horizon, and when I look higher still I see the ghostly knife-edge of Bifrost, slicing the sky in half. That’ll be Phobos. Of course, I’m on Mars. (I have a ghost-memory of an alibi; a formal ball in a pleasure dome on Olympus, and a stealthy nighttime spider-ride while a body-double zombie covers for me for the duration of a dance card.) I look around again, carefully scanning for pursuers. I’ve got a feeling that a companion, unseen, lurks out of my sight: someone watching over me. There’s something on the far side of the wall, something dreadful and strange. I’ve come here to do a risky job, and I’m nervous. (No, Juliette is nervous. I’m frightened. Because, you know, this isn’t the first time I’ve woken up inside another of my sister’s memories—and bad things can happen to you in there.)
    A long way behind me there’s a parked spider, its open door dripping light across the reddish sandy desert. Now I know where I am, but it doesn’t make me feel any better. Beyond the wall I can see the sculpted stone domes and gantries of a famous mausoleum. They loom against the unforgiving sky like the skeletons of abandoned spacecraft. I tiptoe along the path, aware that my information may be misleading; the guardians this place is famous for might not be comatose. The night is chilly, and my coat crackles around me as I walk, fabric rustling uneasily.
    The lych-gate is chained shut with an antique padlock, frost-rimed and sand-scoured. It’s the work of a moment to crack the hasp open (I carry a vicious little multitool fitted with a wrist-lock adapter), and then I slip inside and look around.
    The third expedition to Mars is the one that everyone remembers, of course. It’s a grisly tale, and a cautionary one. And so we repeat it down the years, at parties and drunken gatherings that need a frisson of fear—the tale of how, after three years on the ground, their orbital return vehicle’s oxidizer tank failed while they were pressurizing it. How they hunkered down with their remaining supplies to await rescue by the relief mission; and how a huge solar flare struck during the relief ship’s launch window, forcing its crew to abandon ship. We tell of the suicides, noble and heroic, determined by lot to stretch the supplies—the murders, too, and the madness, and the resignation and despair as the clocks counted past the point of no return. And we shudder at the arrival of the fourth expedition, three years later, half a year after the food ran out, and what they found; the commander still standing in her pressure suit, propped against a rock to greet her relief, faceplate unlatched beneath the empty sky ...
    Our Creators were clearly insane. Sending canned primates to Mars was never going to end happily. But theirs was a glorious madness! They actually thought they were going to the stars . And the graveyard custodians, having done their best to honor their charges, reflect it in their own inimitable way.
    I sneak inside the drystone walls and along the gravel path. Every pebble is machined to micrometer tolerances, lovingly

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