Rudyard Kipling's Tales of Horror and Fantasy

Rudyard Kipling's Tales of Horror and Fantasy by Rudyard Kipling Page A

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Authors: Rudyard Kipling
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slip of paper will help us? What does it mean?’
    â€˜Read it aloud! Read it aloud! I beg and I pray to you to read it aloud.’
    I did so. Gunga Dass listened delightedly, and drew an irregular line in the sand with his fingers.
    â€˜See now! It was the length of his gun-barrels without the stock. I have those barrels. Four gun-barrels out from the place where I caught crows. Straight out; do you follow me? Then three left— Ah! I remember when that man worked it out night after night. Then nine out, and so on. Out is always straight before you cross the quicksand. He told me so before I killed him.’
    â€˜But if you knew all this why didn’t you get out before?’
    â€˜I did not know it. He told me that he was working it out a year and-a-half ago, and how he was working it out night after night when the boat had gone away, and he could get out near the quicksand safely. Then he said that we would get away together. But I was afraid that he would leave me behind one night when he had worked it all out, and so I shot him. Besides, it is not advisable that the men who once get in here should escape. Only I, and I am a Brahmin.’
    The prospect of escape had brought Gunga Dass’s caste back to him. He stood up, walked about and gesticulated violently. Eventually I managed to make him talk soberly, and he told me how this Englishman had spent six months night after night, in exploring, inch by inch, the passage across thequicksand; how he had declared it to be simplicity itself up to within about twenty yards of the river bank after turning the flank of the left horn of the horseshoe.
    In my frenzy of delight at the possibilities of escape I recollect shaking hands effusively with Gunga Dass, after we had decided that we were to make an attempt to get away that very night. It was weary work waiting throughout the afternoon.
    About ten o’clock, as far as I could judge, when the Moon had just risen above the lip of the crater, Gunga Dass made a move for his burrow to bring out the gun-barrels whereby to measure our path.All the other wretched inhabitants had retired to their lairs long ago. The guardian boat had drifted downstream some hours before, and we were utterly alone by the crow-clump. Gunga Dass, while carrying the gun-barrels, let slip the piece of paper which was to be our guide. I stooped down hastily to recover it, and as I did so, I was aware that he was aiming a violent blow at the back of my head with the gun-barrels. It was too late to turn round. I must have received the blow somewhere on the nape of my neck. A hundred thousand fiery stars danced before my eyes, and I fell forward senseless at the edge of the quicksand.
    When I recovered consciousness, the Moon was going down, and I was sensible of intolerable pain in the back of my head. Gunga Dass had disappeared and my mouth was full of blood. I lay down again and prayed that I might die without more ado. Then the unreasoning fury which I have before mentioned laid hold upon me, and I staggered inland towards the walls of the crater. It seemed that some one was calling to me in a whisper, ‘Sahib! Sahib! Sahib!’ exactly as my bearer used to call me in the morning. I fancied that I was delirious until a handful of sand fell at my feet. Then I looked up and saw a head peering down into the amphitheatre – the head of Dunnoo, my dog-boy, who attended to my collies. As soon as he had attracted my attention, he held up his hand and showed a rope. I motioned, staggering to and fro the while, that he should throw it down. It was a couple of leather punkah-ropes knotted together, with a loop at one end. I slipped the loopover my head and under my arms; heard Dunnoo urge something forward; was conscious that I was being dragged, face downward, up the steep sand slope, and the next instant found myself choked and half fainting on the sand hills overlooking the crater. Dunnoo, with his face ashy grey in the moonlight,

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