summerâs afternoon I can smell newly-baked bread coming out of a heated oven. In a state of grace I get that warm and floury whiff as my grandmother laid the tins on the table. I shall always be able to smell it, as if no one else can, and as if I am the last person in the world to recall it.
31
Burton was always looking for something bigger than he was to break himself against, though he would have perished rather than admit to such a thing. He never did find that bigger force. He looked for it, and at the same time kept it at bay with fundamental Burton guile. The closest he got was when he met and married Mary-Ann Tokins, and she would never admit to it either, though she may have thought about it from time to time.
When Burton died, he died in bed, and all his guts came up, red and black, through his mouth. Like any blacksmith, he kept his silence, knowing that Old Nick had got him at last. And Old Nick was riding a horse that had been shod by somebody else, a fact which accounted for the look of shock on Burtonâs face.
Just after he died Mary-Ann said to one of her daughters that she wanted to go herself, that there was nothing to live for now that he had gone and she had lasted long enough to see him at rest in his grave. She died in her sleep a year later. There was no place on earth for her without him, just as there had been no peace on earth for her with him. What greater love is there than that?
32
A circle is a straight line to me. A straight line is a circle. My desire forms a straight line, my thoughts run in a circle. The circle imprisons me, the straight line takes me out of it. But I always return to the circle, if only to embark once more on a straight line. The circle is my bloodstream, pumped through the heart. The straight line is the invisible path I follow. The sun is a circle; a tree is a straight line. The world is a circle at the equator; the horizon is straight when I look at it from a hilltop. My sphincter is a circle; my penis is straight. A circle is not a straight line to me; a straight line is not a circle. The straight line of my desire breaks out of the circle. In searching for truth, whether it takes me on a straight line, or endlessly round in a circle, I am no longer a prisoner. My emblem is that of a straight line through a circle. Will the straight line ever leave the circle behind? The circle is my fundamental self. The straight line is my searching spirit. The circle pushes the straight line forward. The straight line drags the circle with it. They are eternally locked together.
PART TWO
33
My fatherâs parents died soon after I was born, so what their first names were I donât knowâand I saw no photographs of them. His family stories were unreliable or totally false, though it is certain that his father was an upholsterer from Wolverhampton in Staffordshire who, when he came to Nottingham, fitted out a workshop and âshowroomâ on Trafalgar Street in Radford.
He was small in stature and had a short, pointed grey beard, and was said to be a hard and excellent worker except when he took to the whisky, though he rarely did so to the extent of getting blind drunk. Like all the Sillitoes he was tight-lipped, certainly not of the tribe that drinks beer or breathes with their mouths open.
He married a Nottingham girl called Christine Blackwell, whose first name only slips into mind as I write. By all accounts he did not treat her well. She came from a family of cigarette and cigar manufacturers and retailers, and had six sons and two daughtersâeight being the figure of plenty in those days.
After he died his offspring were pleasantly surprised to learn that he had been the owner of several slum houses in Wolverhampton, and when these were sold by common filial agreement each flush heir received the sum of £40. To anguished cries that they had been robbed by thieving solicitors (and it really seemed that they had) they spent it in a few weeks
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