can't always. It isn't always predictable."
Next he began reciting statistics. Twelve years ago the clearance rate for homicides averaged at ninety-five, ninety-six percent.
Now it was more like seventy-four percent, and dropping. There were more stranger killings as opposed to crimes of passion, and so on. I was barely hearing a word of it.
". . . Matt Petersen worries me, to tell you the truth; Kay." He paused.
He had my attention.
"He's an artist. Psychopaths are the Rembrandts of murderers. He's an actor. We don't know what roles he's played out in his fantasies. We don't know that he isn't making them reality now. We don't know that he isn't diabolically clever. His wife's murder might have been utilitarian."
"Utilitarian?"
I stared at him with wide, disbelieving eyes, stared at the photographs taken of Lori Petersen at the scene. Her face a suffused mask of agony, her legs bent, the electrical cord as taut as a bowstring in back and wrenching her arms up and cutting into her neck. I was seeing everything the monster did to her. Utilitarian? I wasn't hearing this.
Wesley explained, "Utilitarian in the sense he may have had a need to get rid of her, Kay. If, for example, something happened to make her suspect he'd killed the first three women, he may have panicked, decided he had to kill her. How can he do that and get away with it? He can make her death look like the other ones."
"I've heard shades of this before," I said evenly. "From your partner."
His words were slow and steady like the beat of a metronome, "All possible scenarios, Kay. We have to consider them."
"Of course we do. And that's fine as long as Marino considers all possible scenarios and doesn't wear blinders because he's getting obsessed or has a problem."
Wesley glanced toward the open door. Almost inaudibly, he said, "Pete's got his prejudices. I won't deny that."
"I think you'd better tell me exactly what they are."
"Let it suffice to say that when the Bureau decided he was a good candidate for a VICAP team, we did some checking into his background. I know where he grew up, how he grew up. Some things you never get over. They set you off. It happens."
He wasn't telling me anything I hadn't already figured out. Marino grew up poor on the wrong side of the tracks. He was uncomfortable around the sort of people who had always made him uncomfortable. The cheerleaders and homecoming queens never gave him a second glance because he was a social misfit, because his father had dirt under his nails, because he was "common."
I'd heard these cop sob stories a thousand times before. The guy's only advantage in life is he's big and white, so he makes himself bigger and whiter by carrying a gun and a badge.
"We don't get to excuse ourselves, Benton," I said shortly. "We don't excuse criminals because they had screwed-up childhoods. We don't get to use the powers entrusted to us to punish people who remind us of our own screwed-up childhoods."
I wasn't lacking in compassion. I understood exactly where Marino was coming from. I was no stranger to his anger. I'd felt it many times when facing a defendant in court. No matter how convincing the evidence, if the guy's nicelooking, clean-cut and dressed in a two-hundred-dollar suit, twelve working men and women don't, in their hearts, believe he's guilty.
I could believe just about anything of anybody these days. But only if the evidence was there. Was Marino looking at the evidence? Was he even looking at all? Wesley pushed back his chair and stood up to stretch. "Pete has his spells. You get used to it. I've known him for years."
He stepped into the open doorway and looked up and down the hall. "Where the hell is he, anyway? He fall in the john?"
Wesley concluded his depressing business with my office and disappeared into the sunny afternoon of the living where other felonious activities demanded his attention and his time.
We'd given up on Marino. I had no idea where he'd gone, but his trip to the
Next he began reciting statistics. Twelve years ago the clearance rate for homicides averaged at ninety-five, ninety-six percent.
Now it was more like seventy-four percent, and dropping. There were more stranger killings as opposed to crimes of passion, and so on. I was barely hearing a word of it.
". . . Matt Petersen worries me, to tell you the truth; Kay." He paused.
He had my attention.
"He's an artist. Psychopaths are the Rembrandts of murderers. He's an actor. We don't know what roles he's played out in his fantasies. We don't know that he isn't making them reality now. We don't know that he isn't diabolically clever. His wife's murder might have been utilitarian."
"Utilitarian?"
I stared at him with wide, disbelieving eyes, stared at the photographs taken of Lori Petersen at the scene. Her face a suffused mask of agony, her legs bent, the electrical cord as taut as a bowstring in back and wrenching her arms up and cutting into her neck. I was seeing everything the monster did to her. Utilitarian? I wasn't hearing this.
Wesley explained, "Utilitarian in the sense he may have had a need to get rid of her, Kay. If, for example, something happened to make her suspect he'd killed the first three women, he may have panicked, decided he had to kill her. How can he do that and get away with it? He can make her death look like the other ones."
"I've heard shades of this before," I said evenly. "From your partner."
His words were slow and steady like the beat of a metronome, "All possible scenarios, Kay. We have to consider them."
"Of course we do. And that's fine as long as Marino considers all possible scenarios and doesn't wear blinders because he's getting obsessed or has a problem."
Wesley glanced toward the open door. Almost inaudibly, he said, "Pete's got his prejudices. I won't deny that."
"I think you'd better tell me exactly what they are."
"Let it suffice to say that when the Bureau decided he was a good candidate for a VICAP team, we did some checking into his background. I know where he grew up, how he grew up. Some things you never get over. They set you off. It happens."
He wasn't telling me anything I hadn't already figured out. Marino grew up poor on the wrong side of the tracks. He was uncomfortable around the sort of people who had always made him uncomfortable. The cheerleaders and homecoming queens never gave him a second glance because he was a social misfit, because his father had dirt under his nails, because he was "common."
I'd heard these cop sob stories a thousand times before. The guy's only advantage in life is he's big and white, so he makes himself bigger and whiter by carrying a gun and a badge.
"We don't get to excuse ourselves, Benton," I said shortly. "We don't excuse criminals because they had screwed-up childhoods. We don't get to use the powers entrusted to us to punish people who remind us of our own screwed-up childhoods."
I wasn't lacking in compassion. I understood exactly where Marino was coming from. I was no stranger to his anger. I'd felt it many times when facing a defendant in court. No matter how convincing the evidence, if the guy's nicelooking, clean-cut and dressed in a two-hundred-dollar suit, twelve working men and women don't, in their hearts, believe he's guilty.
I could believe just about anything of anybody these days. But only if the evidence was there. Was Marino looking at the evidence? Was he even looking at all? Wesley pushed back his chair and stood up to stretch. "Pete has his spells. You get used to it. I've known him for years."
He stepped into the open doorway and looked up and down the hall. "Where the hell is he, anyway? He fall in the john?"
Wesley concluded his depressing business with my office and disappeared into the sunny afternoon of the living where other felonious activities demanded his attention and his time.
We'd given up on Marino. I had no idea where he'd gone, but his trip to the
Similar Books
