Past Imperfect by Julian Fellowes Page B

Hereford Square and, behind the west side, if you can believe it, lay a small field where someone kept a pony. In the corner of this was a cottage, probably originally part of some stabling arrangement, and in my mid-Fifties childhood it was lived in by a not-very-successful actor and his potter-wife. They were delightful and we saw a lot of them but they must have been as poor as church mice. Still, there they were, living in a cottage on the corner of a fashionable square. The next time I entered that building was thirty years later. It had been rented by a Hollywood star who was shooting a movie at Pinewood. Recently it retailed for seven million. The result of the property boom was not just the dispersal of people from their home territory, but the end of the 'mix' in London's population. Struggling painters and penniless writers no longer live in the mews cottages in Knightsbridge or behind Wilton Crescent, where they would once rub shoulders with countesses and millionaires in the local shops and post office. Teachers and poets and professors and explorers and seamstresses and political subversives have all been driven away. They have been replaced by bankers. And we are the poorer for it.
    The Great Room at Grosvenor House was an appropriate setting for the formal opening race of the Season. It twinkled with that now distinctive, self-important, 1960s, sub-deco glamour, so memorably christened 'Euro-Splendour' by Stephen Poliakoff. One came through the hall of the hotel on to a kind of gallery, where a wide, aluminium-balustered staircase within the room itself led down towards the gleaming floor below. At the sight of it I was suddenly glad that I had come. It was early June, and a warm night, too warm for the boys' comfort, really, as our tails in those days were made from woollen cloth, but there is something about a party on a warm summer night that always seems to promise much. Usually more than it delivers.
    Some years later, before the end of it all, the Season would have to take account of the exam year and cater for career girls sitting their A levels and the like, but not then. For such a consideration to have been raised by anyone in 1968 would have been regarded as quirky, eccentric and very middle class. Looking back, I realise there was hardly a parent there who thought their daughters' future would be anything more than an extended repeat of their own present. How can they have been so secure in their expectations? Didn't it occur to them that more change might be on its way? After all, their generation had lived through enough of it to push the world off its axis.
    I stood for a moment against the balustrade. There was something very seductive about looking down from above on a ballroom apparently filled with flower-decked swans. At that moment, whatever the rights and wrongs of the ritual, I confess I was happy to be part of it, as Lucy and I descended together, smiling and nodding in the way one does. From across the room, Serena gave me a slight wave, which was gratifying. 'Whose table is she on?' I asked.
    Lucy followed my gaze. She did not need to be told whom we were discussing. 'Her mother's. She's the one in blue. The couple talking at the end look like the Marlboroughs and I'm pretty sure the fat one next to Lord Claremont is a princess of Denmark. I seem to remember she's one of Serena's godmothers.' I decided not to push in.
    Lucy stopped. 'There's your friend, making hay while the sun shines.' A few yards ahead of us Damian was joking merrily with Joanna Langley.
    I wasn't going to let her get away with that. 'Your friend, too, I gather,' I said sharply, which earned me an apologetic glance.
    Watching the gossiping couple, somewhat sourly, was the tragic figure of Georgina Waddilove. Pitiful Georgina. The style that was so becoming to almost all the others did not show her to much advantage and she resembled nothing more than an enormous, white blancmange . The flowers sewn on to a mountain