Palafox by Eric Chevillard Page A

imagine. Hence, the four young military hopefuls abandoned their war-bride-in-training to steal to the side of the fallen one. Nothing serious, but her foot was itching unbearably. Like poison ivy, she clarified. Palafox was careful not to move. Nearly flat and nearly transparent, trying his best to hide his nematocysts and pass for a plastic bag in the eyes of the nearly-draftables, who were looking around to see what could have caused the double mystery of her skid and her pruritus. Seaweed was ruled immediately out, slippery sure but not prurtitary in the least, then the possibility of an allergy to cold water was discarded, but nothing, then, explained the slide. Of course, a combination of the two could have yielded a satisfactory explanation, the seaweed to blame for the slip and the cold water culpable for the itch, after which the enigma would have been resolved and they could have gotten back to things as they were before, collaring the sweet creature and tossing her into the drink. But it was at this point that the captive caught sight of Palafox. What an odd plastic bag, she remarked while extricating herself. Odd for a plastic bag, came the concession, as she was allowed to wriggle free. A jellyfish! she added while nestling herself in our arms. Pebbles were pouring down on Palafox, crushing his lips and nose, making his various cheekbones swell. He was pretty much torn apart when Olympia interceded. Fortunately, none of his vital organs had been touched. Olympia threatened the killers with their very own weapons, in addition to the pebbles, the translucent shards that the sea spits out and that children fooled in turn pick up and suck like tangy candies. They soon beat a retreat, what a good start, even if they did shout obscenities, albeit from a safe distance. A bit unsettled, Olympia leaned down over Palafox. He was wagging his tail, a good sign. For creatures of his species, such spasms are indicative of everything being for the best. Palafox writhed in the sand, lying on his right side, lifting himself up a few inches before falling once again onto the same spot on his left side - thus a sole, in a world created by someone with a really practical mind, would turn of its own accord in the frying pan. Merciful God, a thousand thanks, Olympia knew which end to grab him by, for there aren’t thirty six ways to catch a crab without risking the loss of a finger, and so farewell Chopin, bye-bye Liszt, kiss triumphant recitals across the globe goodbye. But Olympia, again thanks, knew the technique. She caught Palafox by the scruff of the neck, placed him into the water. He swam swiftly from the shore, splashing a little pot-bellied fellow, immersed up to his navel, sitting as if at his table in the middle of the Atlantic as though he were watching for the imminent arrival of a ship full of rum, smoked meats, dried cod and exotic fruits, all that was missing was a plate and a tablecloth, otherwise he would drink a jet of wine.
    How’s the water? Wonders the wife of the empurpled bather who shivers and does his stretches in front of the Buffoons’ umbrella, hardly concerned about obstructing our otherwise excellent view, an eyesore spoiling the otherwise excellent view, etc., the caretakers, paid to care, won’t tarry in their expulsion of this iconoclast from the maritime museum of Willem Van de Velde the Younger. The sea is of a gray tending to blue tending to green (this green tending to gray tending to blue, this blue tending to green tending to gray), she is oil before the swell, oil after the swell, she is salted, refreshing, bumpy, navigable, shipwreck-prone, oil-bearing, all-consuming, fishy, crashing, haemostatic, roaring and abnormally silent ... Cold when you get in, the lout continues, delicious when you’re in, cold when you’re out, then he bent over all the way, he flopped down and our horizon brightened, which we scanned for the familiar silhouette of Palafox - in vain. Olympia immediately thinks