One for the Money

One for the Money by Janet Evanovich Page A

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Authors: Janet Evanovich
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designated handicapped. Three Dumpsters hunkered at the entrance to the lot. One for general garbage. Two for recyclables. Good for the environment. Didn't do much for local aesthetics. The rear entrance had been improved by a strip of overgrown azaleas that hugged the building and ran almost the entire length of the lot. They were wonderful in the spring when they were filled with pink flowers, and they were magical in the winter when the super strung them with little blinking lights. The rest of the year they were better than nothing.
I chose a well-lighted slot in the middle of the lot. Better to see Morelli when he came to retrieve his property. Not to mention it was one of the few places left. Most of the people in my building were elderly and didn't like to drive after dark. By nine o'clock the lot was full and TVs were going full blast inside all the seniors' apartments.
I looked around to make sure there was no sign of Morelli. Then I popped the hood and removed the Cherokee's distributor cap. This was one of my many New Jersey survival skills. Anyone who has ever left their car in long-term parking at Newark Airport knows how to remove the distributor cap. It is virtually the only way of ensuring your car will be there upon your return.
I figured when the Cherokee didn't start, Morelli'd stick his head under the hood, and that's when I'd gas him. I scurried to the building and hid myself behind the azaleas, feeling fairly slick.
I sat on the ground on a newspaper in deference to my skirt. I'd have liked to change my clothes, but I was afraid of missing Morelli if I dashed upstairs. Cedar chips had been spread in front of the azaleas. Back where I sat the ground was hard-packed dirt. When I was a kid I might have thought this was cozy, but I wasn't a kid anymore, and I noticed things kids didn't notice. Mostly that azaleas don't look all that good from the rear.
A big Chrysler pulled into the lot, and a white-haired man got out. I recognized him, but I didn't know his name. He slowly walked to the building entrance. He didn't seem alarmed or yell out “Help, there's a crazy woman hiding in the bushes,” so I felt secure that I was well hidden.
I squinted at my watch in the dark. Nine forty-five. Waiting wasn't among my favorite pastimes. I was hungry and bored and uncomfortable. There are probably people who put waiting time to good use organizing thoughts, composing chore lists, sinking into constructive introspection. Waiting, for me, was sensory depravation. A black hole. Down time.
I was still waiting at eleven o'clock. I was cranky, and I had to go to the bathroom. Somehow I managed to sit there for another hour and a half. I was reviewing my options, considering a new plan, when it started to rain. The drops were big and lazy, falling in slow motion, spattering on the azalea bushes, leaving their imprint on the hard-packed dirt where I sat, encouraging musty smells reminiscent of cobwebs and crawl spaces to rise up from the earth. I sat with my back pressed against the building and my legs drawn up to my chest. With the exception of an occasional renegade drop, I was untouched by the rain.
After a few minutes the tempo evened out, the drops grew small and consistent, and the wind picked up. Water pooled on the black macadam, catching clots of reflective light, and the rain beaded on the shiny red paint of the Cherokee.
It was a wonderful night to be in bed with a book, listening to the tic, tic, tic of drops on the window and fire escape. It was a lousy night to be crouched behind an azalea bush. The rain had taken to swirling with the wind, catching me in gusts, soaking into my shirt, plastering my hair to my face.
By one o'clock I was shivering and miserable, soaking wet, close to peeing in my pants. Not that it would matter. At five after one I abandoned the plan. Even if Morelli did show up, which I was beginning to doubt, I wasn't sure I was in good enough shape to make a capture. And, I definitely didn't

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