One Flew Over the Cuckoo’s Nest by Ken Kesey Page B

starting level with you. I’m a gambler and I’m not in the habit of losing. And I’ve never seen a woman I thought was more man than me, I don’t care whether I can get it up for her or not. She may have the element of time, but I got a pretty long winning streak goin’ myself.”
    He pulls off his cap, spins it on his finger, and catches it behind his back in his other band, neat as you please.
    “Another thing: I’m in this place because that’s the way I planned it, pure and simple, because it’s a better place than a work farm. As near as I can tell I’m no loony, or never knew it if I was. Your nurse don’t know this; she’s not going to be looking out for somebody coming at her with a trigger-quick mind like I obviously got. These things give me an edge I like. So I’m saying five bucks to each of you that wants it if I can’t put a betsy bug up that nurse’s butt within a week.”
    “I’m still not sure I—”
    “Just that. A bee in her butt, a burr in her bloomers. Get her goat. Bug her till she comes apart at those neat little seams, and shows, just one time, she ain’t so unbeatable as you think. One week. I’ll let you be the judge whether I win or not.”
    Harding takes out a pencil and writes something on the pinochle pad.
    “Here. A lien on ten dollars of that money they’ve got drawing dust under my name over in Funds. It’s worth twice that to me, my friend, to see this unlikely miracle brought off.”
    McMurphy looks at the paper and folds it. “Worth it to any of the rest of you birds?” Other Acutes line up now, taking turns at the pad. He takes the pieces of paper when they’re finished, stacking them on his palm, pinned under a big stiff thumb. I see the pieces of paper crowd up in his hand. He looks them over.
    “You trust me to hold the bets, buddies?”
    “I believe we can be safe in doing that,” Harding says. “You won’t be going any place for a while.”

6
    One Christmas at midnight on the button, at the old place, the ward door blows open with a crash, in comes a fat man with a beard, eyes ringed red by the cold and his nose just the color of a cherry. The black boys get him cornered in the hall with flashlights. I see he’s all tangled in the tinsel Public Relation has been stringing all over the place, and he’s stumbling around in it in the dark. He’s shading his red eyes from the flashlights and sucking on his mustache.
    “Ho ho ho,” he says. “I’d like to stay but I must be hurrying along. Very tight schedule, ya know. Ho ho. Must be going…”
    The black boys move in with the flashlights. They kept him with us six years before they discharged him, clean-shaven and skinny as a pole.
     
    The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night—throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light’s screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
    She’s given to turning up the speed this way on days like, say, when you got