pretty sure this is actually kind of valuable now.â
âHmmm,â Jack says, inspecting a panel of a triangle with arms, lighting what appears to be a joint.
âItâs funny. I think about him a lot. Like how old people are when they give up, you know? Like before you just accept that your life is going to be the same as everybody elseâs. Before you do anything great.â
âI donât know,â Jack says. âI think about that a lot too.â He flips to another page, seeing a pyramid of silver lines, which upon closer inspection reveal a nude female shape. âThese are really weird.â
âI know. And nobody knows about him. Heâs kind of my biggest influence. As an artist, I mean. Him and my dad.â
âYour dad?â
âYeah, because he works all the time. At first I thought making hotel paintings wasnât cool. But now I think itâs pretty great. Itâs all he does all day. And people actually see what he makes. Even if they are kind of bland. I mean, the other thing is that when I was a kid, my dad had all these art books and everything, lying around, and he would explain them to me. Like Magritte. And Gauguin. I know the reason I want to be an artist is because of my mom and him.â
âThatâs pretty cool. My fatherâs a shrink. We didnât have any art books lying around when I was a kid. The only cool thing we had growing up was the DSM , which lists all the things that can go wrong with your head. That and The Joy of Sex. But I donât think either one of my parents ever opened it. They got divorced when I was like five or so. And then she got remarried. To another shrink, this guy David. Heâs pretty great actually. I kind think of him as my actual father. Heâs the person I call if, you know, Iâm ever in trouble.â
âThatâs nice you get along with him.â
âYeah. But then my mom divorced him too, when I was like eight or nine. And then she married some dentist. But we still talk. My first stepdad, David, and me.â
âMy parents are so weird. Theyâre still like teenagers around each other. They still like holding hands. They still smoke a lot of dope, though.â
âThatâs great.â
âYeah.â And then they both look down at their feet for a few seconds before Odile asks, âSo, do you want to see this thing Iâve been working on?â
âSure.â
Odile stands up suddenly and snatches a small green pad from her bureau and then hands it to him. âItâs this notebook Iâve been putting all my ideas in. Theyâre more concepts of projects than actual projects. Kind of like Yoko Ono.â
Jack nods and flips through it. There are small pencil sketches, quick drawings, and lists. On one of the lined pages it says, Dress like a ghost on the bus . Beneath that it says, Buy some parakeets and turn them loose in front of a playground, or, Act out a scene from a famous movie on the subway, or, Create a banner for some nonexistent event, or, Put on a puppet show in a hospital emergency waiting room.
âThese are really great,â Jack says, smiling.
âYeah, I dunno. One day Iâm going to do them all. Right now Iâm just coming up with different ideas. I feel like ⦠people in this city ⦠nothing surprises them anymore. When you live here, thereâs just too much going on around you, so you donât see any of it. Itâs hard to get peopleâs attention. Unless itâs something bad, like a murder or natural disaster or something. Because nobody in this city is surprised by anything.â
Jack nods and looks away for a moment.
Itâs late, itâs begun to finally feel late. The streetlamps outside the window have started to shine in a way that suggests that the sun is only an hour or so away from coming up. Odile yawns, covering her mouth with the back of her hand in a polite fashion that
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