Odd Interlude Part Three

Odd Interlude Part Three by Dean Koontz Page A

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Authors: Dean Koontz
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is being crushed beneath a weight of unearned shame. His failure to defeat something more powerful than himself, and the scar that reminds him of his failure, is no reason for shame; guilt is deserved only when the effort to resist evil is never made.
    Yet the human heart is disheartened by the most unreasonable self-judgments, because even when we take on giants, we too often confuse failure with fault, which I know too well. The only way back from such a bleak despondency is to shape humiliation into humility, to strive always to triumph over the darkness while never forgetting that the honor and the beauty are more in the striving than in the winning. When triumph at last comes, our efforts alone could not have won the day without that grace which surpasses all understanding and which will, if we allow it, imbue our lives with meaning.
    In the learning of that simple truth, I have come from Pico Mundo, from the worst day of my life, from the loss that was worse than losing my own life, through much trouble and tumult in variousplaces, to this picturesque spot along the coast. In the course of that dark passage, the shame and guilt of my failure have been much diminished, and hope is brighter in my heart than once it was.
    Watching Donny clamber across the split-rail fence and hurry south along the county road, as he races out of Hiskott’s reach, I would like nothing more than to learn one day that he has taken the same journey of the heart that I have taken.
    My sinuses weep, and my nose is a faucet. Much of the time, I find it difficult to sustain an image of myself as a man of action and a defender of the innocent.
    Just as the mechanic disappears along the road, I smell smoke. The mayhem I have instigated must be evolving nicely. I need to reconnoiter.
    By moving farther from the trees, I will be more easily seen, because my navy-blue sweatshirt and my jeans are in stark contrast to the sun-bleached grass around me. If someone spots me from afar I might not be recognized, but I don’t dare take any chances.
    Crouched low, with a .38 revolver in one hand and a pistol in the other, I scuttle through the tall grass, alert for snakes because it seems to be that kind of day. As I press forward, insects spring into flight, leaves of grass and feathertop brushing against my face bring to mind the forked and tickling tongues of serpents, and I narrowly avoid stepping in a pile of deer poop.
    The meadow begins to slope, and I come to a place where I can see the descending hills of Harmony Corner and the sea beyond. I lie down and raise my head just high enough to study the seven Victorian houses that stand a few hundred yards below, to the west and slightly farther south of my position. If any guards are stationed around the uppermost of those residences, where Dr. Hiskott makes his lair, they are well concealed.
    Perhaps three hundred yards to the north lies the demolished big rig, the detached tractor on its side beneath the Monterey cypress. Both the tractor and the tree have caught fire, after all, and flames seethe up through the branches, which across decades have been sculpted by the wind into elegant southeast-leaning forms that are reminiscent of lines of Japanese calligraphy. Whatever the wind has written over time, fire rapidly erases and disperses as oily black smoke.
    People have gone down into those hills, no doubt seeking the truck driver, but at this distance it’s impossible to know which of them are members of the Harmony family, under Hiskott’s rule, and which are patrons of the diner. Nor am I able to get an accurate count of them. They are small figures at this remove.
    The larger blaze is closer than the one consuming the cypress. The tumbling propane tank, fire gouting from the open valve, must have looked like a flamethrower in the grip of a furious poltergeist. The fire line in its wake follows a sinuous path, a leaping tossing brightness that, like an agitated dragon, wriggles down one slope and up

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