"O" Is for Outlaw by Sue Grafton Page A

time for the two of us to talk. I had a big whack of money in my savings account. I was willing to offer my help if Mickey wasn't too proud to accept. I walked back to the office, where I picked up my car and made the short drive home. I didn't even have the details and I was already sick about the part I'd played in his slide from grace.
    I arrived at my apartment to find two gentlemen standing on my doorstep. I knew in a flash they were plainclothes detectives: neatly dressed, clean-shaven, their expressions bland and attentive, the perfect law enforcement presence on this May afternoon. I felt a spritz of electricity coursing through my frame. My hands were left tingling and the skin on my back suddenly felt luminous, like a neon sign flashing GUILT, GUILT, GUILT. My first thought was Teddy Rich had reported an intruder, that an officer had been dispatched, that he'd called for a tech who'd subsequently dusted for prints. Mine would have shown up on the inner and outer aspects of the pet door, on the edge of the desk, on the back doorknob, in other places so numerous I could hardly recall. I'd been a cop for two years and a P.I. since then. (I'd also been arrested once, but I don't want to talk about that now, thanks.) The point is, my prints were in the system, and the computer was going to put me inside Teddy Rich's house. The cops would ask what I was doing there and what could I say? Was there an innocent explanation? I couldn't think of one to save me. The dog, of course, would pick me out of a police lineup, tugging at my pant leg, joyously barking, jumping, and slobbering on my shoes as they cuffed me and took me away. I could try to plea-bargain right up front or wait until sentencing and throw myself on the mercy of the court.
    I hesitated on the walkway, my house keys in hand. Surely, the cops had more pressing cases to pursue these days. Why would they even bother with a crime scene tech? The notion was absurd. These fellows might not be cops at all. Maybe Teddy figured out what I'd done and had sent these two goons to crush my elbows, my knees, and other relevant joints. Somewhat chirpily, I said, "Hi. Are you looking for me?"
    The two of them seemed to be approximately the same age: late thirties, trim, fit, one dark, the other fair. The blond carried a briefcase in his left hand like he was doing door-to-door sales. He spoke first. "Miss Millhone?" He wore a red plaid shirt under a tweed sport coat, his Adam's apple compressed by the knot in his solid red tie. His slacks were dark cotton, wrinkled across the crotch from sitting in the car too long.
    "That's right."
    He held out his right hand. "My name's Felix Claas. This is my partner, John Aldo. We're detectives with the Los Angeles Police Department. Could we talk to you? "
    Aldo held out two business cards and a wallet he flipped open to expose his badge. Detective Aldo was a big guy with a muscular body, probably six-three, 240 pounds. He wore his dark hair slightly shaggy, and his dark eyes receded under wide dark eyebrows that came together at the bridge of his nose. His slacks were polyester, and he had a sport coat neatly folded and laid across one arm. His short-sleeved cotton shirt exposed a matting of silky hair on his forearms. He looked like a man who preferred wearing sweats. I'd heard his first name as "John," but I noticed on his business card the spelling was the Italian, Gian, and I made the mental correction. In the flush of apprehension, I'd already forgotten the first detective's name. I glanced down at the cards again. Felix Claas was the blond, Glan Aldo, the darker one.
    Claas spoke up again, smiling pleasantly. His blond hair looked wet, parted on the side and combed straight back behind his ears. His eyebrows and lashes were an almost invisible pale gold, so that his blue eyes seemed stark. His lips were full and unusually pink. He had a cleft in his chin. "Great town you have here. The minute we crossed the county line, I could feel