lookedâ¦â
âThe guy with the ponytail? I thought he was gay.â Jim scowled.
âYouâre impossible.â
âHell hath no furyâ¦â He grinned.
The jukebox in the background made it obvious that Rick was not calling home from the Justice Building. âWhere are you?â Laurel asked.
âWeâre grabbing a bite to eat downtown,â he said. âOur case took a wrong turn in court. We have some things to go over.â
âWho are you with?â
âJim and Dusty.â
âOh.â Laurel sounded thoughtful.
âI should be there in a couple of hours.â
âYou need to get some sleep. Are you all right?â
âSure. See you later, sweets.â
Miriam Kelton looked up from her desk at the medical examinerâs office. The man wore a chauffeurâs cap. âWe are here to pick up the body,â he announced politely. He glanced casually at a slip of paper that he drew from his pocket. âJosé López-Gómez.â Miriam looked puzzled. âDo you have a release signed by the doctor?â she said, reaching for the paper.
â SÃ ,â he said, and drew a machine pistol from under his dark jacket. âWhere is he?â
The two attendants, Lester and Sam, dropped their jaws and raised their hands as the stranger prodded a protesting Miriam into the morgue with his pistol. âI donât know whoâs who back here,â she told him in the high-pitched peevish tone usually reserved for a misbehaving grandchild. âI just handle the paperwork.â
A short, horse-faced man had joined the gunman. He too was armed. The man in the chauffeurâs cap signaled to him, jerking his head toward the covered gurneys in the autopsy room, referred to as the Pit by those who labor there. The second man stalked through the rows, jerking back paper sheets to expose naked bodies.
The barrel of his own gun aimed at the ceiling, he twisted his neck to peer into the face of a dark-complected corpse. â No es el ,â he called, snatching the flimsy sheet off another. He stared somberly into the face of an elderly woman. She resembled his grandmother. He crossed himself with his free hand and devoutly rolled his eyes toward heaven. A shotgun victim was next, a man who had already been autopsied.
â ¡Dios mÃo! â the gunman muttered softly, then stopped to scrutinize the corpse more closely, a look of recognition spreading across his face. âHey, I know him, itâs Pepe!â He reached for the tag that hung from the dead manâs big toe, stared at the name printed there and nodded. â ¿Que pasa, Pepe? â He turned to his companion. â Es Pepe .â
â ¿Pepe? â The first man looked interested, craned his neck, then muttered a curse. â ¡Apurate! ¡Apurate! Hurry up!â
â ¿Adónde? ¿Adónde? â said the shorter man, shrugging his shoulders. He swung open the door to another small room. It emitted cold air that smelled sour, like a refrigerator in which something has spoiled. Bodies were stacked three deep.
The man in the cap brandished the gun. â ¿Adónde? Where? Where?â
Miriam exchanged glances with the morgue attendant named Lester, a middle-aged black man. Her snippy look said that this situation had gone just about far enough. âOutside,â she snapped. âThe one you want must be in the trailer. Outside.â
They all stepped out a side door onto the loading dock, as the shorter man swiveled his head back toward the last corpse he had uncovered. â Adiós, Pepe ,â he said softly.
A huge refrigerated trailer purred out in the warm, damp parking lot. When Miami broke all records for homicide in 1981, the county had been forced to lease a refrigerated Burger King trailer to store the overflow of bodies.
The shorter man scrambled up the breakaway stairs and disappeared into the trailer. He
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