And occasionally a curse if someone was bad to them and theirs.
My uncle was the local doctor. He’d lost his wife in the Great War and never remarried. She’d been a nurse and died somewhere on a battlefield in France. After the war he’d travelled a lot in Europe and beyond, spent years on the move, not wanting to settle. And when she was out of his system (not that she ever was, not really; her photographs were all over the house) then he had come home again to England, to the north-east where he’d been born. In the summers my parents would go down from Edinburgh to see him, and leave me there with him for company through the holidays.
This summer in question would be one of the last—of that sort, anyway—for the next war was already looming; of course, we didn’t know that then.
“Gypsies, Sandy!” he said that day, just home from the mine where there’d been an accident. He was smudged with coal dust, which turned his sweat black where it dripped off him, with a pale band across his eyes and a white dome to his balding head from the protection of a miner’s helmet.
“Gypsies?” I said, all eager. “Where?”
“Over in Slater’s copse. Seen ’em as I came over the viaduct. One caravan at least. Maybe there’ll be more later.”
That was it: I was supposed to run now, over the fields to the copse, to see the gypsies. That way I wouldn’t ask questions about the accident in the mine. Uncle Zachary didn’t much like to talk about his work, especially if the details were unpleasant or the resolution an unhappy one. But I wanted to know anyway. “Was it bad, down the mine?”
He nodded, the smile slipping from his grimy face as he saw that I’d seen through his ruse. “A bad one, aye,” he said. “A man’s lost his legs and probably his life. I did what I could.” Following which he hadn’t wanted to say any more. And so I went off to see the gypsies.
Before I actually left the house, though, I ran upstairs to my attic room. From there, through the binoculars Uncle Zachary had given me for my birthday, I could see a long, long way. And I could even see if he’d been telling the truth about the gypsies, or just pulling my leg as he sometimes did, a simple way of distracting my attention from the accident. I used to sit for hours up there, using those binoculars through my dormer window, scanning the land all about.
To the south lay the colliery: “Harden Pit”, as the locals called it. Its chimneys were like long, thin guns aimed at the sky; its skeletal towers with their huge spoked wheels turning, lifting or lowering the cages; and at night its angry red coke ovens roaring, discharging their yellow and white-blazing tonnage to be hosed down into mounds of foul-steaming coke.
Harden Pit lay beyond the viaduct with its twin lines of tracks glinting in the sunlight, shimmering in a heat haze. From here, on the knoll where Uncle Zachary’s house stood—especially from my attic window—I could actually look down on the viaduct a little, see the shining tracks receding toward the colliery. The massive brick structure that supported them had been built when the collieries first opened up, to provide transport for the black gold, one viaduct out of many spanning the becks and streams of the north-east where they ran to the sea. “Black gold”, they’d called coal even then, when it cost only a few shillings per hundredweight!
This side of the viaduct and towards the sea cliffs, there stood Slater’s Copse, a close-grown stand of oaks, rowans, hawthorns and hazelnuts. Old Slater was a farmer who had sold up to the coal industry, but he’d kept back small pockets of land for his and his family’s enjoyment, and for the enjoyment of everyone else in the colliery communities. Long after this whole area was laid to waste, Slater’s patches of green would still be here, shady oases in the grey and black desert.
And in the trees of Slater’s Copse…Uncle Zachary hadn’t been telling
My uncle was the local doctor. He’d lost his wife in the Great War and never remarried. She’d been a nurse and died somewhere on a battlefield in France. After the war he’d travelled a lot in Europe and beyond, spent years on the move, not wanting to settle. And when she was out of his system (not that she ever was, not really; her photographs were all over the house) then he had come home again to England, to the north-east where he’d been born. In the summers my parents would go down from Edinburgh to see him, and leave me there with him for company through the holidays.
This summer in question would be one of the last—of that sort, anyway—for the next war was already looming; of course, we didn’t know that then.
“Gypsies, Sandy!” he said that day, just home from the mine where there’d been an accident. He was smudged with coal dust, which turned his sweat black where it dripped off him, with a pale band across his eyes and a white dome to his balding head from the protection of a miner’s helmet.
“Gypsies?” I said, all eager. “Where?”
“Over in Slater’s copse. Seen ’em as I came over the viaduct. One caravan at least. Maybe there’ll be more later.”
That was it: I was supposed to run now, over the fields to the copse, to see the gypsies. That way I wouldn’t ask questions about the accident in the mine. Uncle Zachary didn’t much like to talk about his work, especially if the details were unpleasant or the resolution an unhappy one. But I wanted to know anyway. “Was it bad, down the mine?”
He nodded, the smile slipping from his grimy face as he saw that I’d seen through his ruse. “A bad one, aye,” he said. “A man’s lost his legs and probably his life. I did what I could.” Following which he hadn’t wanted to say any more. And so I went off to see the gypsies.
Before I actually left the house, though, I ran upstairs to my attic room. From there, through the binoculars Uncle Zachary had given me for my birthday, I could see a long, long way. And I could even see if he’d been telling the truth about the gypsies, or just pulling my leg as he sometimes did, a simple way of distracting my attention from the accident. I used to sit for hours up there, using those binoculars through my dormer window, scanning the land all about.
To the south lay the colliery: “Harden Pit”, as the locals called it. Its chimneys were like long, thin guns aimed at the sky; its skeletal towers with their huge spoked wheels turning, lifting or lowering the cages; and at night its angry red coke ovens roaring, discharging their yellow and white-blazing tonnage to be hosed down into mounds of foul-steaming coke.
Harden Pit lay beyond the viaduct with its twin lines of tracks glinting in the sunlight, shimmering in a heat haze. From here, on the knoll where Uncle Zachary’s house stood—especially from my attic window—I could actually look down on the viaduct a little, see the shining tracks receding toward the colliery. The massive brick structure that supported them had been built when the collieries first opened up, to provide transport for the black gold, one viaduct out of many spanning the becks and streams of the north-east where they ran to the sea. “Black gold”, they’d called coal even then, when it cost only a few shillings per hundredweight!
This side of the viaduct and towards the sea cliffs, there stood Slater’s Copse, a close-grown stand of oaks, rowans, hawthorns and hazelnuts. Old Slater was a farmer who had sold up to the coal industry, but he’d kept back small pockets of land for his and his family’s enjoyment, and for the enjoyment of everyone else in the colliery communities. Long after this whole area was laid to waste, Slater’s patches of green would still be here, shady oases in the grey and black desert.
And in the trees of Slater’s Copse…Uncle Zachary hadn’t been telling
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