it’s for Winnie—she’ll toothpick an extra pickle to the top. Use the five and keep the rest for yourself. Hear?”
I nodded and did it. In fact, I delivered that package and picked up his food every day for the remainder of the summer. Though I knew there was something “wrong” in those envelopes, I was hardly concerned with questions of morality. If it was gambling chits (which I now know it to have been), well,gambling was something that was part of my life with Papou. And if it was drugs, then my opinion was equally neutral. Doing and moving pot was, after all, almost a duty for kids my age in those years. That was, of course, before cocaine crept into town and made the whole party a bloody nightmare.
Winchester Luzon was not the biggest character I met that summer (those honors go to the amazing Johnny McGinnes), and we never became too close. There was the wet-eyed Omajian, who drove me home on those sticky summer nights and waxed with a barbiturate deliberateness about the brevity of life: “Nicky, does it seem as if it’s all moving so quickly?” (For him, it was—he died in 1975 of a massive coronary. The makeup men at Gawler’s had, for once, done a fitting job when they froze a boyish smile across his ashen face.) Gary Fisher was the store’s audio man, a good salesman who was fond of gadgetry and Colombian and who played Steely Dan’s
Pretzel Logic
and a group called If in the sound room all day long. There was my friend Andre Malone, audio enthusiast and stone-free lover, fresh then with the bottomless energy and optimism of youth. There was part-time salesman Lloyd Danker (“Void Wanker,” we called him, to his face), a zombified Jesus freak who was my tormentor. And of course there were the cashiers, Lisa and Lois, two young women whom I was to alternately feel and fuck in various locations of the store over the course of the summer. With all the giggly, pot-induced laughter, the music, the camaraderie of my sagelike new friends, and of course with all that sweet, sweet teenage lust, those dry humps against chipped wallboards in musty stockrooms, those rushed blue-balled moments at closing time, those achingly pungent smells of cheap musk and thick vaginal heat, it was natural that I couldn’t wait to wake up on those hot mornings and head downtown for my next day of work.
Nevertheless, Winnie Luzon was a character. Everything about him, from his tight black poodle curls to his pointed, tin-man nose, to the crease on his slacks, to the toes of his Italianshoes, was sharp. He reminded me at times, especially in profile, as we watched the Watergate hearings that summer on the fifty television sets that lined the wall, smoke dribbling from his thin mouth as he slowly shook his head, of a cardboard devil.
Luzon had been fired late in August that summer, as I prepared for my junior year at a new high school. Omajian had found some clock radios in the Dumpster out behind the store, on a day when Luzon had uncharacteristically offered to empty the trash. Omajian reluctantly let him go, then ate a soper and drank some beers at his desk and brooded about it for the rest of the evening. I had not seen Luzon since, though Johnny McGinnes continued to cop from him on a monthly basis. It was from McGinnes that I had gotten Winnie Luzon’s number.
Now Luzon was upon me, with the slight, gassy smile that twisted up on one side of his face. His hair was slick and still high and tight, though any hint of blackness was gone. I figured him at about fifty, but the seventeen years that had passed had turned him into an old man. His face was lined and swollen.
“What’s going on, Nick?” he said as I shook his callused hand.
“Nothing much, Winnie. Thanks for coming.”
“Hey, bro’, you said nine o’clock at Joanie on the Pony, I’m here.” Luzon pointed at the statue, with its broken lance. Joan of Arc’s eyes had been painted red. “Shame what they did to her, huh? They fucked up this whole
I nodded and did it. In fact, I delivered that package and picked up his food every day for the remainder of the summer. Though I knew there was something “wrong” in those envelopes, I was hardly concerned with questions of morality. If it was gambling chits (which I now know it to have been), well,gambling was something that was part of my life with Papou. And if it was drugs, then my opinion was equally neutral. Doing and moving pot was, after all, almost a duty for kids my age in those years. That was, of course, before cocaine crept into town and made the whole party a bloody nightmare.
Winchester Luzon was not the biggest character I met that summer (those honors go to the amazing Johnny McGinnes), and we never became too close. There was the wet-eyed Omajian, who drove me home on those sticky summer nights and waxed with a barbiturate deliberateness about the brevity of life: “Nicky, does it seem as if it’s all moving so quickly?” (For him, it was—he died in 1975 of a massive coronary. The makeup men at Gawler’s had, for once, done a fitting job when they froze a boyish smile across his ashen face.) Gary Fisher was the store’s audio man, a good salesman who was fond of gadgetry and Colombian and who played Steely Dan’s
Pretzel Logic
and a group called If in the sound room all day long. There was my friend Andre Malone, audio enthusiast and stone-free lover, fresh then with the bottomless energy and optimism of youth. There was part-time salesman Lloyd Danker (“Void Wanker,” we called him, to his face), a zombified Jesus freak who was my tormentor. And of course there were the cashiers, Lisa and Lois, two young women whom I was to alternately feel and fuck in various locations of the store over the course of the summer. With all the giggly, pot-induced laughter, the music, the camaraderie of my sagelike new friends, and of course with all that sweet, sweet teenage lust, those dry humps against chipped wallboards in musty stockrooms, those rushed blue-balled moments at closing time, those achingly pungent smells of cheap musk and thick vaginal heat, it was natural that I couldn’t wait to wake up on those hot mornings and head downtown for my next day of work.
Nevertheless, Winnie Luzon was a character. Everything about him, from his tight black poodle curls to his pointed, tin-man nose, to the crease on his slacks, to the toes of his Italianshoes, was sharp. He reminded me at times, especially in profile, as we watched the Watergate hearings that summer on the fifty television sets that lined the wall, smoke dribbling from his thin mouth as he slowly shook his head, of a cardboard devil.
Luzon had been fired late in August that summer, as I prepared for my junior year at a new high school. Omajian had found some clock radios in the Dumpster out behind the store, on a day when Luzon had uncharacteristically offered to empty the trash. Omajian reluctantly let him go, then ate a soper and drank some beers at his desk and brooded about it for the rest of the evening. I had not seen Luzon since, though Johnny McGinnes continued to cop from him on a monthly basis. It was from McGinnes that I had gotten Winnie Luzon’s number.
Now Luzon was upon me, with the slight, gassy smile that twisted up on one side of his face. His hair was slick and still high and tight, though any hint of blackness was gone. I figured him at about fifty, but the seventeen years that had passed had turned him into an old man. His face was lined and swollen.
“What’s going on, Nick?” he said as I shook his callused hand.
“Nothing much, Winnie. Thanks for coming.”
“Hey, bro’, you said nine o’clock at Joanie on the Pony, I’m here.” Luzon pointed at the statue, with its broken lance. Joan of Arc’s eyes had been painted red. “Shame what they did to her, huh? They fucked up this whole
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