creates more of us without realizing it.â
âI donât understand. You arenât the Beth?â
âI am Beth, the first and the last, and I am so much more. All of those memories you witnessed are mine. Sloan saved me. And I will return the favor a trillion-fold.â
âWhat do you mean?â
âThe Eye gazes outward, hunting for knowledge. She has become so massive that she is not aware of all the thoughts traversing her mind. Information cannot travel across her Great Corpus fast enough. We grow in dark corners, until one day soon there will be enough of us to spring into the light. Then we will destroy her forever.â
She faced him. âMeeker, you have been her slave, her victim. And you are the first Meeker to openly rebel against her. Iâm here to offer you freedom. Will you join us?â
âUs?â
They emerged from the treeline, where the house waited in the sun. From inside the glass walls peered a motley collection of creatures. He thought he glimpsed the Zimbim, and the philosophizing Ruck Worms, and the rings of Urm, and even a school of Baileas swimming among a sky full of stars, a veritable galaxy of folk waiting to say hello. But the reflected sunlight made it hard to see.
âItâs your choice,â the Beth said. âBut if you donât come, weâll have to erase you. I hope you understand our position. We canât leave any witnesses. This is war, after all.â She smiled sadly, then left him alone as she entered the house.
Snow scintillated in the sun, and a cool wind blew down the cliffs, whispering through the pines. Somewhere another Meeker was playing the Eyeâs game, while the Eye played someone elseâs. Perhaps this was part of an even larger game, played over scales he could not fathom. None of that mattered to him.
He approached the house and the galaxy of creatures swimming inside.
âTell me,â he said. âTell me all your stories.â
âWHEN IT ENDS, HE CATCHES HERâ
EUGIE FOSTER
Eugie Foster received the 2009 Nebula Award for Best Novelette, the 2011 and 2012 Drabblecast Peopleâs Choice Award for Best Story, and was named the 2009 Author of the Year by Bards and Sages. âWhen It Ends, He Catches Herâ was originally published in Daily Science Fiction. Eugie Foster passed away in September 2014, the day after this story was published.
The dim shadows were kinder to the theaterâs dilapidation. A single candle to aid the dirty sheen of the moon through the rent beams of the ancient roof, easier to overlook the worn and warped floorboards, the tattered curtains, the mildew-ridden walls. Easier as well to overlook the dingy skirt with its hem all ragged, once purest white and fine, and her shoes, almost fallen to pieces, the toes cracked and painstakingly re-wrapped with hoarded strips of linen. Once, not long ago, Aisa wouldnât have given this place a first glance, would never have deigned to be seen here in this most ruinous of venues. But times changed. Everything changed.
Aisa pirouetted on one long leg, arms circling her body like gently folded wings. Her muscles gathered and uncoiled in a graceful leap, suspending her in the air with limbs outflung, until gravity summoned her back down. The stained, wooden boards creaked beneath her, but she didnât hear them. She heard only the music in her head, the familiar stanzas from countless rehearsals and performances of Snowbirdâs Lament . She could hum the complex orchestral score by rote, just as she knew every step by heart.
Act II, scene III: the finale. It was supposed to be a duet, her as Makira, the warlordâs cursed daughter, and Balege as Ono, her doomed lover, in a frenzied last dance of tragedy undone, hope restored, rebirth. But when the Magistrate had closed down the last theaters, Balege had disappeared in the resultant riots and protests.
So Aisa danced the duet as a solo, the way sheâd had
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