tedious piece by E. J. Kahn about efforts to establish vocational schools in Micronesia down on my desk. Then he says, âDid you notice my shoes?â I say no, I havenât, and look down and see shoes with colorful layered heels, like alternating slices of Muenster and beets. âWow,â I say. âThose are some shoes.â
âYou like them, eh? Guess how much they cost.â
âGee, I donât knowâmust have been a lot. Seventy dollars?â
âThirty-four fifty-nine,â he says, heavy on the
f
âs, for emfasis.
âWhat a great deal,â I say.
âGuess how much I paid for this shirt,â he might say. It would be burgundy with a strange sheen.
âItâs a nice one. Thirty-nine?
âNope! Eight bucks. Canal Street.â
âWow! Very special!â
The second week I am in Checking, the phone on my desk rings and âHello, is this Mr. Menaker?â a miniature voice says.
âYes.â
âMr. Menaker, this is William Shawn.â
âOh, hi, Mr. Shawn,â I say. âWhat can I do for you?â
âWell, thereâs a sentence in Notes and Comment about the number of troops who are in Vietnam right now, and I would like you to check that with the State Department to make sure itâs right. Itâs from a news story, and I donât know if itâs reliable.â
The people on the Vietnam Desk at the State Department always laugh when I check the reporter Robert Shaplenâs Vietcong body counts with them. They think the CIA feeds him inflated numbers. Jonathan Schell is writing powerful Notes and Comments against the war in The Talk of the Town while Shaplen is writing semi-apologias for the war in the middle of the magazine. Schell is one of the Harvard crowd. Shawn has hired three or four of his son Wallaceâs fellowâHarvard undergraduatesâHendrik Hertzberg, Schell, Anthony Hiss.
âSure,â I say. âIâll do that and let you know.â
When I hang up, a few of the other checkers within earshot are staring at me.
âWhatâs wrong?â I say to the person who sits across from me.
âYou said âHiâ to Mr. Shawn?â she says. âYou donât say âHiâ to Mr. Shawnâyou say âHello.ââ
Â
Twenty-eight
Â
One night, in the early-morning hours, in the apartment I share with Jerry Cotts, a friend from Swarthmore, I wake up terrifiedâof absolutely nothing. It is a classic panic attackâracing pulse, cold sweat, terror like none I have ever known, except maybe for a foreshadowing of it on the lower level of Grand Central back when I was eight years old, and my general trepidation as a kid. But it
feels
like absolutely out of nowhere. You may think that the classic anxiety of certain kinds of New Yorkers, tending toward the Jewish kind, is a stereotypical joke, thanks principally to Woody Allen. But I am here to tell you that it is no joke, for any locale, race, or ethnicity. If someone you know truly suffers from what is now called a generalized anxiety disorder, it is fucking
awful.
Yes, the handling of such a person, in friendship or in love or in work, is best when itâs sympathetic but matter-of-fact and even businesslike. I know that now. I can do that now. Even with myself, on those mercifully rare occasions when the old panic approaches. But for pityâs sake donât dismiss this affliction as a chimera or a ruse or a plea for attention or any of the other at least implicitly condemnatory assessments that so many so often make of it. It is all too real, itself and nothing else, and it can be disabling. It came close to disabling me for life. The prospect of lunch with a colleague was torture. Flying was a sentence. Social life an ordeal. Itâs no wonder that with Valium always on my person and the need to lose myself in something that would take my mind off this dread, I throw my energy into
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