table and I lit it. In the dull light with its smoke haze Whiteside looked like some character from an old Dutch painting. But he was able to breathe again and I started asking my questions.
"Why are you here?"
"I was hired as a bodyguard for the kid."
"Which kid?"
"Nancy Carmichael."
"Who hired you and what did she need a bodyguard for, anyway?"
It came out slowly, the way most stories do under interrogation. He forgot, and backtracked, but finally I got the facts. I was sure they were the facts.
It all boiled down to Nancy Carmichael's sense of the dramatic. She knew the C.L.A.W. people were going to bring her to this cottage. She was certain she would get away with the gag and planned to stay here until Monday while I searched the motels on the highway and put the OPP and the rest of the outside world on the lookout for her.
That still left two questions unanswered. "If she was among friends, why did she need a bodyguard, and why the hell were you shooting at me?"
It seemed that Nancy was not just a pretty face. She had brains enough to realize that as a rich man's daughter she might be a valuable commodity once she stepped outside the law and disappeared. She knew Irv from years of coming up to Murphy's Harbour, mostly without her father, who was too busy to spend more than occasional weekends at the family place on the lake. She had heard the local rumors about Irv Whiteside's past and had bought the glamor of it.
"Hell, you know, Chief," he apologized, "folks think it was like The Godfather , fer crissakes. I didn't tell her no different. She's a nice kid."
"You still didn't tell me why you were trying to kill me."
"Well, it's like this. I told the help I'd be upstairs, to close up and go home without disturbing me. They figured I had a broad up there. So I went down the firesteps and out to the marina. Like, I keep a skidoo there. That was it. I was out here by eleven, poured myself a snort, and waited. Around eleven-thirty they turn up. I can see right away they're excited. There's five o' them, not six, like I expected. So I open the door and they come stormin' in outa the cold but they're not laughing, like I figured. Nancy's cryin'. So I ask her what's up and she points to the big one who's wearing the ski mask and she says, 'He stripped one of the girls and left her on the ice to die.' So I say to him, because this is a him, this is no broad. I say, 'What's going on?' and he says, 'Keep outa this.' And I say I'm goin' to keep the kid with me and the rest of them can go. But he just sighs, real weary. He says, 'I thought some dumb bastard would try that,' and he pulls a gun on me. He says to me, he says, 'One move outa you and you're through worryin' about anythin'.' Then he grabs Nancy and they all go back out to their machines and away. I go through this place and find the rifle but when I go down to the dock they've screwed up my skidoo. So I lie low to wait for morning, but I'm scared and I'm goddamn mad. So I keep the lights off and my eyes open. And when I see somebody coming over the rocks, sneaking up, instead of up from the dock like a normal person would've, I figure it's the guy with the gun back again and I let fly."
I thought about what he'd told me. On the face of it they had been dumb, leaving Irv here with a rifle, but as I thought it through I could see sense in their plan. For one thing they weren't sure how many more people Nancy had told, including possibly me. Leaving him here, angry and armed, had given him a chance to shoot me if I turned up and left them with the choice of taking Nancy to some place nobody knew about. It seemed to me they were adjusting their plan as they went along, and that made it harder to second-guess them.
My face was burning. I realized it had been frostbitten when I was up on the roof. Tomorrow it would be swollen and blotchy. Tonight it was pins and needles but I didn't care. It was the only thing about me that was really alert. I felt dull and
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