touch myself lazily as we speak, spurred on by the frustration of hearing his beautiful voice, his hard-on voice, singing songs of desire. Oh, the writing, the writing . . . These days, Monsieur is insistent that I should be writing. Come to think of it, itâs all a bit of a cliché, a story about a married man with the niece of a colleague. But I shouldnât offend his literary pride.
âWhy not?â I know all too well that yet another strike day will just see me faffing around.
âGive it a try, at least,â he answers. âIâll call you tonight, or at some point during the day if I can manage it. OK, my love?â
âOK.â
âWhere are you now?â
The conversation is changing direction.
âIn bed. Iâve just woken up.â
âCompletely naked?â
âIâm always naked. Like the day I was born.â
Between clenched teeth, Monsieur releases a painful sigh. âYou make me hard!â
I chuckle contentedly, stifle a protest. âBut I said nothing to provoke it!â
âYou said enough. My imagination does the rest. Howâs it going to look if I get to the clinic with an erection straining at my trousers?â
âItâll fade,â I predict, stretching, even though I know that, given the chance, Iâll make sure it doesnât. A fact Monsieur is quite aware of.
âItâll fade, and youâll send me obscene text messages and Iâll get hard again. Do you think it feels comfortable when Iâm operating?â
âIf youâd rather I didnât . . .â I smile.
âAre you crazy? Send me photos of your arse. Iâll look at them between appointments.â
âAnd then youâll sport a mighty erection in the presence of your lady patients. Not very professional.â
âTo hell with them. Itâll relax me getting hard for you. Youâll send me pics?â
I rephrase a small anodyne promise, a witticism, the foundation stone of most of our telephone conversations. What makes me wet, my version of hard, is knowing itâs so easy to excite Monsieur. To think of him in his expensive suit, or his surgical scrubs, clearly erect, concealing his embarrassment beneath his mask, and all because of me. My fat arse stirring up such feelings inside him.
âWeâll speak tonight, darling,â I warble, still stretching.
âYour voice arouses me,â he says, then brusquely âTill tonight.â
After an hour on Facebook, I summon the energy to open a new text folder, and stare at its emptiness like a chicken confronted with a knife. The problem of the white page is how full of emptiness and expectation it is. If you jot down a few words, the white void seems to shout, âFeed me!â How can I plumb its depths? I, who, for the last year, have been sleeping on the laurels of my one and only publication. For more than six months Iâve felt like a dried-up well from which only drops of muddy water have been painfully drawn. So, yes, I write. In notebooks I lose after a few days, across the virgin pages of my diary. Stupid thoughts. All the nothings that are part of my comfortable student life. Am I capable of more today?
I think of Monsieurâs voice on the telephone as he expressed amazement that I knew so much about his private life over recent years, neglecting to mention that my mother had told me about that weekend in New Jersey long before we first met. So, with no thought of success, I improvise a few lines, like a compliant courtesan, to oblige him. I write:
He always seemed amazed that he had long been a part of my life, although before our first conversations he had been something of an abstraction. I was building a whole world with the facts I could glean, or plunder, about him. Monsieur enjoyed erotic literature; this was the detail that set me on my quest. For a long time, I had been alone in my appreciation of Calaferte, André Pieyre de
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