Moby-Dick (Barnes & Noble Classics Series) by Herman Melville Page B
Authors: Herman Melville
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meaning.
“Who-e debel you?”—he at last said—“you no speak-e, dam-me, I kill-e.” And so saying the lighted tomahawk began flourishing about me in the dark.
“Landlord, for God’s sake, Peter Coffin!” shouted I. “Landlord! Watch! Coffin! Angels! save me!”
“Speake-e! tell-ee me who-ee be, or dam-me, I kill-e!” again growled the cannibal, while his horrid flourishings of the tomahawk scattered the hot tobacco ashes about me till I thought my linen would get on fire. But thank heaven, at that moment the landlord came into the room light in hand, and leaping from the bed I ran up to him.
“Don’t be afraid now,” said he, grinning again. “Queequeg here wouldn’t harm a hair of your head.”
“Stop your grinning,” shouted I, “and why didn’t you tell me that that infernal harpooner was a cannibal?”
“I thought ye know’d it;—didn’t I tell ye, he was a peddlin’ heads around town?—but turn flukes again and go to sleep. Queequeg, look here—you sabbee me, I sabbee you—this man sleepe you—you sabbee?”
“Me sabbee plenty”—grunted Queequeg, puffing away at his pipe and sitting up in bed.
“You gettee in,” he added, motioning to me with his tomahawk, and throwing the clothes to one side. He really did this in not only a civil but a really kind and charitable way. I stood looking at him a moment. For all his tattooings he was on the whole a clean, comely looking cannibal. What’s all this fuss I have been making about, thought I to myself—the man’s a human being just as I am: he has just as much reason to fear me as I have to be afraid of him. Better sleep with a sober cannibal than a drunken Christian.
“Landlord,” said I, “tell him to stash his tomahawk there, or pipe, or whatever you call it; tell him to stop smoking, in short, and I will turn in with him. But I don’t fancy having a man smoking in bed with me. It’s dangerous. Besides, I ain’t insured.”
This being told to Queequeg, he at once complied, and again politely motioned me to get into bed—rolling over to one side as much as to say—I won’t touch a leg of ye.
“Good-night, landlord,” said I, “you may go.”
I turned in, and never slept better in my life.
CHAPTER IV.
The Counterpane.
U pon waking next morning about daylight, I found Queequeg’s arm thrown over me in the most loving and affectionate manner. You had almost thought I had been his wife. The counterpane was of patchwork, full of odd little particoloured squares and triangles; and this arm of his tattooed all over with an interminable Cretan labyrinth m of a figure, no two parts of which were of one precise shade—owing I suppose to his keeping his arm at sea unmethodically in sun and shade, his shirt-sleeves irregularly rolled up at various times—this same arm of his, I say, looked for all the world like a strip of that same patchwork quilt. Indeed, partly lying on it as the arm did when I first awoke, I could hardly tell it from the quilt, they so blended their hues together; and it was only by the sense of weight and pressure that I could tell that Queequeg was hugging me.
My sensations were strange. Let me try to explain them. When I was a child, I well remember a somewhat similar circumstance that befell me; whether it was a reality or a dream, I never could entirely settle. The circumstance was this. I had been cutting up some caper or other—I think it was trying to crawl up the chimney, as I had seen a little sweep do a few days previous; and my stepmother who, somehow or other, was all the time whipping me, or sending me to bed supperless,—my mother dragged me by the legs out of the chimney and packed me off to bed, though it was only two o’clock in the afternoon of the 21st June, the longest day in the year in our hemisphere. I felt dreadfully. But there was no help for it, so upstairs I went to my little room in the third floor, undressed myself as slowly as possible so as to kill time, and with
“Who-e debel you?”—he at last said—“you no speak-e, dam-me, I kill-e.” And so saying the lighted tomahawk began flourishing about me in the dark.
“Landlord, for God’s sake, Peter Coffin!” shouted I. “Landlord! Watch! Coffin! Angels! save me!”
“Speake-e! tell-ee me who-ee be, or dam-me, I kill-e!” again growled the cannibal, while his horrid flourishings of the tomahawk scattered the hot tobacco ashes about me till I thought my linen would get on fire. But thank heaven, at that moment the landlord came into the room light in hand, and leaping from the bed I ran up to him.
“Don’t be afraid now,” said he, grinning again. “Queequeg here wouldn’t harm a hair of your head.”
“Stop your grinning,” shouted I, “and why didn’t you tell me that that infernal harpooner was a cannibal?”
“I thought ye know’d it;—didn’t I tell ye, he was a peddlin’ heads around town?—but turn flukes again and go to sleep. Queequeg, look here—you sabbee me, I sabbee you—this man sleepe you—you sabbee?”
“Me sabbee plenty”—grunted Queequeg, puffing away at his pipe and sitting up in bed.
“You gettee in,” he added, motioning to me with his tomahawk, and throwing the clothes to one side. He really did this in not only a civil but a really kind and charitable way. I stood looking at him a moment. For all his tattooings he was on the whole a clean, comely looking cannibal. What’s all this fuss I have been making about, thought I to myself—the man’s a human being just as I am: he has just as much reason to fear me as I have to be afraid of him. Better sleep with a sober cannibal than a drunken Christian.
“Landlord,” said I, “tell him to stash his tomahawk there, or pipe, or whatever you call it; tell him to stop smoking, in short, and I will turn in with him. But I don’t fancy having a man smoking in bed with me. It’s dangerous. Besides, I ain’t insured.”
This being told to Queequeg, he at once complied, and again politely motioned me to get into bed—rolling over to one side as much as to say—I won’t touch a leg of ye.
“Good-night, landlord,” said I, “you may go.”
I turned in, and never slept better in my life.
CHAPTER IV.
The Counterpane.
U pon waking next morning about daylight, I found Queequeg’s arm thrown over me in the most loving and affectionate manner. You had almost thought I had been his wife. The counterpane was of patchwork, full of odd little particoloured squares and triangles; and this arm of his tattooed all over with an interminable Cretan labyrinth m of a figure, no two parts of which were of one precise shade—owing I suppose to his keeping his arm at sea unmethodically in sun and shade, his shirt-sleeves irregularly rolled up at various times—this same arm of his, I say, looked for all the world like a strip of that same patchwork quilt. Indeed, partly lying on it as the arm did when I first awoke, I could hardly tell it from the quilt, they so blended their hues together; and it was only by the sense of weight and pressure that I could tell that Queequeg was hugging me.
My sensations were strange. Let me try to explain them. When I was a child, I well remember a somewhat similar circumstance that befell me; whether it was a reality or a dream, I never could entirely settle. The circumstance was this. I had been cutting up some caper or other—I think it was trying to crawl up the chimney, as I had seen a little sweep do a few days previous; and my stepmother who, somehow or other, was all the time whipping me, or sending me to bed supperless,—my mother dragged me by the legs out of the chimney and packed me off to bed, though it was only two o’clock in the afternoon of the 21st June, the longest day in the year in our hemisphere. I felt dreadfully. But there was no help for it, so upstairs I went to my little room in the third floor, undressed myself as slowly as possible so as to kill time, and with