Master of the Crossroads
said. “His coat belongs to me.”
    The proposition was inarguable—Guiaou surrendered the coat and Ghede slipped into it and puffed up further, springly erect as a man-part aroused, then bowed his legs and began to dance without moving his feet, rolling his hips and grinning ferociously. A three-foot staff appeared between his legs, tipped with a phallus carved in mahogany, whose smooth tip thrust with Ghede’s hip roll toward the two oval halves and the hinge of the picture that rested on Guiaou’s breastbone. Around them others began to laugh at Ghede’s game, and Guiaou felt his own smile spreading over lips still glossy with goat fat, and he answered Ghede’s dance with his own crouch and grind, until Ghede lost interest and swung away, the prick-tip of his staff seeking other partners, and then, sated with the sex dance, Ghede fell to eating, sitting splay-legged in a corner of the hûnfor with the red coattails fanned out behind him and hurling goat and pork and yams and cassava into the bottomless pit which was the hunger of Ghede.
    By that time other loa had mounted their servants, Ogûn Badagris and Damballah and Erzulie, and there were more songs and still more potent drumming, until Guiaou was lost to himself and gave up his head to Agwé, so that he knew no more, himself, about anything that happened in the ceremonies. In a later quieter passage of the night he woke in his own ajoupa without knowing how he had come there. A dream was moving in him when he opened his eyes, nothing of Agwé but the own dream of Guiaou. All the encampment was quiet but for the sound of people breathing in their sleep.
    The dream rose then, and using Guiaou’s limbs it stepped outside of the ajoupa onto the hillside swimming in moonlight. Then the dream began to walk, carrying Guiaou’s body by a way he hadn’t known he knew, until it stopped before the shelter where Merbillay slept on her side with her cheek curled in one hand. Behind her a child was sleeping too, wrapped in the red coat which Ghede had claimed.
    Guiaou stood still, feet planted on the ground like tree roots, while his body swayed lightly like a tall palm in the breeze and the cool night air prickled on the bare skin of his chest. His dream called in its silent voice to the woman till she woke. She sat up and saw him waiting there; her face was silvered in the moonlight and her eyes were black and swimming. She looked at him for a long time, it seemed, then looked at the child, that he would not wake. As she lay down again, her wrist arched up gracefully and her fingers curved back toward the wrist in a movement that seemed to shape a bridge. Guiaou stooped under the shelter’s dry fringe of leaves, lowering his head as he went in to her.

5
    A turning of the road from Limbé brought their party between the river of Haut du Cap and the cemetery of La Fossette. Captain Maillart rode beside Xavier Tocquet, flanked by six black soldiers of Toussaint’s army who had been sent with them as an escort . . . or guard perhaps, Maillart thought, somewhat uneasily. To his left, Tocquet sat his chocolate gelding, seamlessly joined to the saddle. He had pulled the wide brim of his straw hat down to hide his eyes, and he rocked as easily with the horse’s motion as if he were perhaps sleeping, as the blacks sometimes seemed to sleep aboard their burros.
    The color was going out of the sky; soon it would be dark. Maillart could see the low roofs of the city of Le Cap, ahead where the river broadened into the bay and anchorage. He was relieved to be reaching the town before nightfall, and yet the passage oppressed him, just in this place. The swampy ground of La Fossette was fetid and unhealthy, putrid with shallowly buried corpses, and the blacks believed it to be frequented by the demons they worshipped—perhaps they were right, the captain thought. He had his own unpleasant associations with the place. He rolled his shoulders and looked toward the river, where a

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