instance, or the scene where the cop died in front of the hotel—were very disturbing, even though there was no Sam Peckinpah slow-motion blood splattering, no special effects. It was like that great old Alan Ladd movie
Shane
—unlike modern thrillers, there’d been only a half dozen gunshots in the entire film but they were loud and shocking and you felt each one of them in your gut.
Manhattan Is My Beat
also seemed pretty G-rated. But Rune felt the studio pulling a fast one in its portrayal of the cop’s virginal girlfriend, played by—what a name— Ruby Dahl. It was so clear to Rune that the poor thing was lusting. You’d never know it from her lines (“Oh, I can’t explain my feelings, Roy. I just worry about you so. There’s so much … evil out there.”) But if her dresses and sweaters were high-necked, Ruby’s bosom was sharp and beneath the tame dialogue you knew she had the hots for Roy.
She
was the character that got the long camera shot when the judge announced that her fiancé was going to prison. She was the one Rune cried for.
At two A.M. Sandra threw a shoe at them and Rune shut off the VCR and the TV.
“Not bad once,” Richard said. “Why’d we have to sit through it twice?” He himself had given up his own quest for the evening and had kept his hands off her for the past several hours.
“Because I didn’t take notes the first time.” She rewound the tape, the bootleg copy she’d made for Robert Kelly. She looked at the scrawl of notes she’d written on the back of a flier for a health club.
Richard stretched and went into some weird yoga position, like a push-up with his pelvis pressed into the floor, his head back at a crazy angle, staring at the starsabove them. “Okay, I slept through most of it the second time, I have to be honest. Were you joking about the killer?”
“The movie is why that customer I told you about is dead.”
“He saw it
three
times. He couldn’t take it anymore. He killed himself.”
“Don’t joke.” She was whispering and he missed the flare in her voice.
She pulled her bag toward her and handed him the clipping she’d found in Kelly’s apartment. He looked at it but put it down before he could have read more than a couple of paragraphs. He closed his eyes. She frowned and took the yellow, brittle paper.
“What it is,” she explained, “the movie was a true story. There really
was
a cop in the thirties who stole some robbery money and hid it. He denied the whole thing and nobody ever found the million dollars. He got out of Sing Sing and got gunned down a few days later. And supposedly he never had a chance to collect the money. It’s just the way it happened in the film.”
Richard yawned.
Rune, on her knees, crouched like a geisha, holding the clipping. “I think what happened was Mr. Kelly bought an old book at a secondhand store on St. Marks…. You know the book vendors near Cooper Union? There was this clipping in it. He read it—I think he was interested in New York history—so he got a kick out of it but didn’t think too much about it. Then what happens?”
“What?”
“Then,” she said, “last month he’s walking past Washington Square Video and sees the poster for the film. He rents it, he watches it. And he gets the bug. You know what I mean? The bug.” She waited. Richard seemed to be listening. She said, “That feeling that gets toyou when you know there’s something out there. But you don’t know what. But you
have
to find out what the mystery is.”
“Like you. You’re mysterious.”
She felt a trill of pleasure. “That’s what my name means, you know.”
“Rune? I thought a rune was a letter.”
“It is. But it also means ‘mystery’ in Celtic.”
“And what does ‘Doris’ mean?”
“Anyway,” she said, ignoring him, “I think Mr. Kelly and I were a lot alike. Sort of like you and me.”
She let that sit between them for a minute, and when he didn’t respond she wondered, And
Shane
—unlike modern thrillers, there’d been only a half dozen gunshots in the entire film but they were loud and shocking and you felt each one of them in your gut.
Manhattan Is My Beat
also seemed pretty G-rated. But Rune felt the studio pulling a fast one in its portrayal of the cop’s virginal girlfriend, played by—what a name— Ruby Dahl. It was so clear to Rune that the poor thing was lusting. You’d never know it from her lines (“Oh, I can’t explain my feelings, Roy. I just worry about you so. There’s so much … evil out there.”) But if her dresses and sweaters were high-necked, Ruby’s bosom was sharp and beneath the tame dialogue you knew she had the hots for Roy.
She
was the character that got the long camera shot when the judge announced that her fiancé was going to prison. She was the one Rune cried for.
At two A.M. Sandra threw a shoe at them and Rune shut off the VCR and the TV.
“Not bad once,” Richard said. “Why’d we have to sit through it twice?” He himself had given up his own quest for the evening and had kept his hands off her for the past several hours.
“Because I didn’t take notes the first time.” She rewound the tape, the bootleg copy she’d made for Robert Kelly. She looked at the scrawl of notes she’d written on the back of a flier for a health club.
Richard stretched and went into some weird yoga position, like a push-up with his pelvis pressed into the floor, his head back at a crazy angle, staring at the starsabove them. “Okay, I slept through most of it the second time, I have to be honest. Were you joking about the killer?”
“The movie is why that customer I told you about is dead.”
“He saw it
three
times. He couldn’t take it anymore. He killed himself.”
“Don’t joke.” She was whispering and he missed the flare in her voice.
She pulled her bag toward her and handed him the clipping she’d found in Kelly’s apartment. He looked at it but put it down before he could have read more than a couple of paragraphs. He closed his eyes. She frowned and took the yellow, brittle paper.
“What it is,” she explained, “the movie was a true story. There really
was
a cop in the thirties who stole some robbery money and hid it. He denied the whole thing and nobody ever found the million dollars. He got out of Sing Sing and got gunned down a few days later. And supposedly he never had a chance to collect the money. It’s just the way it happened in the film.”
Richard yawned.
Rune, on her knees, crouched like a geisha, holding the clipping. “I think what happened was Mr. Kelly bought an old book at a secondhand store on St. Marks…. You know the book vendors near Cooper Union? There was this clipping in it. He read it—I think he was interested in New York history—so he got a kick out of it but didn’t think too much about it. Then what happens?”
“What?”
“Then,” she said, “last month he’s walking past Washington Square Video and sees the poster for the film. He rents it, he watches it. And he gets the bug. You know what I mean? The bug.” She waited. Richard seemed to be listening. She said, “That feeling that gets toyou when you know there’s something out there. But you don’t know what. But you
have
to find out what the mystery is.”
“Like you. You’re mysterious.”
She felt a trill of pleasure. “That’s what my name means, you know.”
“Rune? I thought a rune was a letter.”
“It is. But it also means ‘mystery’ in Celtic.”
“And what does ‘Doris’ mean?”
“Anyway,” she said, ignoring him, “I think Mr. Kelly and I were a lot alike. Sort of like you and me.”
She let that sit between them for a minute, and when he didn’t respond she wondered, And
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