suburb, once intensely working class, now saved or ruined by a middleclass invasion, depending on your point of view. Unlike a lot of Brisbane, it is hilly and I noticed an encouraging number of pubs while I got myself lost in the dark, leafy streets. There had been some rain and the gardens gave off a moist, lush smell that would have gone better with the growling of tigers than the barking of dogs, which was what I got as I stumbled around looking for numbers on fence posts.
It was after midnight when I found the house: it was set high up on stilts with a lot of discarded furniture and machinery quietly mouldering and rusting underneath it. The garden was overgrown and fragrant with the wet, night smell. No dog. I pushed through the undergrowth and went up a set of rickety steps to a wide verandah. I knocked, waited, and knocked again. A light came on in the house and a frightened female voice asked from close behind the door who was on the other side.
âIâm looking for Chris Guthrie,â I said.
âHe isnât here.â
âHe does live here?â
âYes, sort of. But heâs not here now.â
âDo we have to talk through the door?â
âGo away. Iâm sick of people coming around at all hours for him. I have to study and I have to sleep. Go away!â
âJust a minute. What other people? When?â
âThere was a guy tonight who said he was his brother and all the others for the past couple of monthsâthe ones who look like cops, and sound like you.â
âWhere is Chris? Dâyou know? Itâs important.â
âWill you go away if I tell you what I told the last guy?â
âYes.â
âOkay. Ask at the railway freight yard at St. Lucia. I think he works there. He pays his room rent here sometimes but he moves around a bit. Thatâs all I know. Please go away.â
âHeâs a student.â
âHe dropped out.â
âWill you look at a photograph, please?â
âNo!â The light went out and I was left standing at the door with a photograph in my hand. There was a low hum of insects from the gardens, but otherwise the night was graveyard quiet: thereâd be a lot of noise if I tried to force an entry and I didnât imagine the Brisbane cops would be amused at a Sydney private man pushing the citizens around in the wee small hours. I put the photograph away, said goodnight to the door, trying not to sound like a policeman, and left the house.
It was too late to do anything more. I stopped at the first open motel I came to, put crosses at random on the breakfast menu and fell into bed. I lay there with my mind buzzing. âAchieve one thing every day,â my Scots grandmother advised me when I was young. I wondered what she would count as an achievement. I wondered what she would call a day. It was about thirty years and ten thousand days too late to ask her. My mind was hopping, leaping about now: a lifetime could be about twenty-five thousand days.
Grandma Kelly had lived to be eighty-odd; had she achieved thirty thousand things? Maybe she had. My one thingâlocating Ray Guthrieâdidnât seem so much now, but it didnât seem any easier, either. I went to sleep trying to count the things Iâd achieved in forty-odd God-fearing years.
At 5 a.m. it was getting light, and I was wide awake. I stuck my head out the door and sniffed the soft, sub-tropical air. I wrapped one of the motel towels around me and went down to the pool and swam a few laps in the nude. The water was cold and too heavily chlorinated. I stayed under a hot shower for fifteen minutes until I was warm and decontaminated. Then I had an hour to wait for breakfast; Ispent some of the time thinking about the information conveyed by the disembodied voice of last night:
other enquirers, moving about, drop-out, voices like cops.
It sounded something like a Brisbane version of the events in Sydney, and wasnât
Donna Andrews
Judith Flanders
Molly McLain
Devri Walls
Janet Chapman
Gary Gibson
Tim Pegler
Donna Hill
Pauliena Acheson
Charisma Knight