blissfully chose to ignore the fact that Szmura had permanently and irreversibly dumped the apple of her eye shortly after banging her.
As small as the room was, it echoed with emptiness. Bogdan parked his suitcases flat in the windowless corner; took a sheet and a blanket out of the unroped one and spread them under the murky window—unequipped with mattress or duvet, this was where he would sleep. The room resembled an installation in a vacuous art gallery, the reflection of the ceiling bulb on the wood floor intended to signify the false surface of existence, the felled suitcases embodying the transitory nature of life—or more specifically, the life of the subject, shrimped up in the corner against a bare, mispainted wall. Naturally, it was all very funny. During another poker game at Szmura’s (which I missed), everyone filed into Bogdan’s chamber and found the installation uproariously amusing: they guffawed to the verge of retching and fell to the existential floor, while Bogdan sat in his corner, perplexed by all the wisecracks about his artsyfartsiness.
He did eventually get an official tour of the apartment—an introduction to the Szmura world and its impenetrable mysteries. In the living room, with a sweeping movement of his hand, Szmura offered his furniture to Bogdan’s eye: the claret velvet armchair facing a pseudo-Oriental coffee table, all Chinese curves and Japanese angles; the crimson sofa, with its wide U shape and stern, flat armrests—for some reason, Szmura referred to it as “the Puerto Rican.” Bogdan was allowed to peruse the Puerto Rican when Szmura was absent, he was told; otherwise the armchair was available. Then Bogdan had to inspect the collection of objects on the mantelpiece, which consisted of an upright bullet-casing that Szmura’s venerable father had brought back from Vietnam; a glass ashtray full of foreign coins (mainly kopecks and zloty); a bottle of Grolsch beer (“Be very careful,” Szmura said, “ ’cause this bottle is from Florida”); and a figurine of a cow, complete with a swollen udder, that was left unmentioned. Bogdan also glanced out the window, although it looked over the same alley as did the window in his room. There was nothing to see, of course, except a garage door inching downward like a stage curtain, and a few fallen deciduous leaves slipping inside before it closed.
In the bathroom, Bogdan was shown the hooks that Szmura used to hang his upper-body (navy blue) and lower-body (azure) towels and his carmine silk robe with a fire-breathing dragon on the back—Bogdan was assigned the fourth hook. He was also told that he must make a habit of lifting the toilet seat, should he put it down for the big dookie, and that he must never shave or piss in the shower. Finally, Szmura pushed a little jar into his face, its bottom lined with yellowish mites—this was where Szmura collected the wormy stuff from his nose pores.
In the kitchen, Bogdan was warned that the mug inscribed MИКОЛА, its chipped brim adorned with a traditional Ukrainian pattern, was never to be touched. The fridge contained a bowl of intensely red vine tomatoes (“They make the blood strong”), along with Szmura’s black dress shoes on a tray; a plate of rotting shrimp; and a jar of Vaseline, which Bogdan could not fail to conclude was deployed for some form of self-abuse. He and Szmura did not dwell long over the contents of the pantry. Suffice it to mention a large number of Shake ’n Bake boxes stacked on the bottom shelf, and an impressive collection of soup cans lined up in alphabetical order on the top two shelves: Shelf No. 1, from Asparagus to Minestrone; Shelf No. 2, from Mushroom to Zucchini. The soup was not for Bogdan, Szmura declared. Were he ever to open a can, he would have to replenish the collection the very same day. Concluding the tour, Szmura flung open the door of his own bedroom, and exposed briefly a darkness into which the light cut a lambent rhomboid.
As small as the room was, it echoed with emptiness. Bogdan parked his suitcases flat in the windowless corner; took a sheet and a blanket out of the unroped one and spread them under the murky window—unequipped with mattress or duvet, this was where he would sleep. The room resembled an installation in a vacuous art gallery, the reflection of the ceiling bulb on the wood floor intended to signify the false surface of existence, the felled suitcases embodying the transitory nature of life—or more specifically, the life of the subject, shrimped up in the corner against a bare, mispainted wall. Naturally, it was all very funny. During another poker game at Szmura’s (which I missed), everyone filed into Bogdan’s chamber and found the installation uproariously amusing: they guffawed to the verge of retching and fell to the existential floor, while Bogdan sat in his corner, perplexed by all the wisecracks about his artsyfartsiness.
He did eventually get an official tour of the apartment—an introduction to the Szmura world and its impenetrable mysteries. In the living room, with a sweeping movement of his hand, Szmura offered his furniture to Bogdan’s eye: the claret velvet armchair facing a pseudo-Oriental coffee table, all Chinese curves and Japanese angles; the crimson sofa, with its wide U shape and stern, flat armrests—for some reason, Szmura referred to it as “the Puerto Rican.” Bogdan was allowed to peruse the Puerto Rican when Szmura was absent, he was told; otherwise the armchair was available. Then Bogdan had to inspect the collection of objects on the mantelpiece, which consisted of an upright bullet-casing that Szmura’s venerable father had brought back from Vietnam; a glass ashtray full of foreign coins (mainly kopecks and zloty); a bottle of Grolsch beer (“Be very careful,” Szmura said, “ ’cause this bottle is from Florida”); and a figurine of a cow, complete with a swollen udder, that was left unmentioned. Bogdan also glanced out the window, although it looked over the same alley as did the window in his room. There was nothing to see, of course, except a garage door inching downward like a stage curtain, and a few fallen deciduous leaves slipping inside before it closed.
In the bathroom, Bogdan was shown the hooks that Szmura used to hang his upper-body (navy blue) and lower-body (azure) towels and his carmine silk robe with a fire-breathing dragon on the back—Bogdan was assigned the fourth hook. He was also told that he must make a habit of lifting the toilet seat, should he put it down for the big dookie, and that he must never shave or piss in the shower. Finally, Szmura pushed a little jar into his face, its bottom lined with yellowish mites—this was where Szmura collected the wormy stuff from his nose pores.
In the kitchen, Bogdan was warned that the mug inscribed MИКОЛА, its chipped brim adorned with a traditional Ukrainian pattern, was never to be touched. The fridge contained a bowl of intensely red vine tomatoes (“They make the blood strong”), along with Szmura’s black dress shoes on a tray; a plate of rotting shrimp; and a jar of Vaseline, which Bogdan could not fail to conclude was deployed for some form of self-abuse. He and Szmura did not dwell long over the contents of the pantry. Suffice it to mention a large number of Shake ’n Bake boxes stacked on the bottom shelf, and an impressive collection of soup cans lined up in alphabetical order on the top two shelves: Shelf No. 1, from Asparagus to Minestrone; Shelf No. 2, from Mushroom to Zucchini. The soup was not for Bogdan, Szmura declared. Were he ever to open a can, he would have to replenish the collection the very same day. Concluding the tour, Szmura flung open the door of his own bedroom, and exposed briefly a darkness into which the light cut a lambent rhomboid.
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