and women were attracted to that, although he hoped it wasnât the reason Ida Marie had originally fallen for him when he was leading the investigation into her sonâs kidnapping. In addition to authority, some women might have found Kammâs macho appearance â with muscles bulging under his suit â a turn-on. It was blatantly obvious, though, that Kamm had never been in love with Mette. Wagner stood up. So young, so dead and so in love with a man who didnât deserve her affection. âThank you for your time. Perhaps you could show us where Mette worked?â Kamm flung out his hands apologetically. âIâm afraid not. All she had was a desk, and weâve cleared that already as weâre short of space.â âCleared it!â Ivar K spat out the words. Wagner couldnât blame him. âA colleague has been brutally murdered and the first thing you do is clear her desk?â Kamm opened the door to the open-plan office where Wagner counted eleven employees. There were several empty desks. âWhat happened to the contents of Metteâs desk?â he asked. âItâs important that we see them.â Kamm ran a hand across his scalp. He glanced at his watch again and looked as if he had made a decision. âOkay. Iâll look into it and get back to you. Theyâre probably in a box somewhere unless the cleaners have already been in. Allow me to show you around quickly â¦â The two men were briefly introduced to the rest of the staff, and they asked the usual routine questions; jotted down everyoneâs names; noted facts, alibis and who the victim had worked with closely. But no one really had much to add about Mette Mortensen. âWanker,â Ivar K muttered as they left. âBastard should be strung up from the nearest tree.â Wagner would probably not have expressed it quite like that. But he was a whisker away from agreeing.
âH is son?â Bo pointed to a pane in one of the bedroom windows. âThis one is punctured as well.â Dicte stepped closer and saw the condensation that had spread from the centre of the glass. âThis house will be the ruin of me. Thatâs nine so far.â She marked the casement on a piece of A4 paper on which, for the benefit of the glazier, she had sketched the four six-pane rustic windows in the house. âThe son, yes. And the moral of that is? A father plays football with his son and he ends up a football hooligan and a Nazi. Youâd better watch yourself!â âWith Tobias?â Bo beamed as he uttered his sonâs name. There was something about fathers and sons, Dicte thought. Pride at having produced a male child, would be her guess. Girls invoked a fatherâs protection; boys invoked pride. It was old-fashioned. But thatâs the way things were. âHe had no major genetic predisposition to violence.â âThatâs what Adolfâs mother said.â Bo grinned. âShe might have been right. He made others do it. So what are you going to do about the son?â Dicte calculated the cost of nine new panes. The figure was eye watering because she had to add the cost of the two large windows in the living room. âShit. Itâll be more than fourteen thousand kroner.â She looked at Bo, who had reclined on the bed. On the bedside table was his glass of red wine from the dinner they had just eaten. She drank from her glass and placed it next to his. âI have to find him. And I have to talk to Wagner.â âWhy? Kosovo?â She didnât reply; instead she lay back with her head on his shoulder. âIâm ruined,â she said again. âThis place is a bottomless pit.â âThatâs what Scrooge McDuck always says,â Bo said in a Donald Duck voice, stroking her hair. Seemingly cheered up by thinking of his friends in Duck Town, he quoted Donald reciting from The Rime of the