Letter From an Unknown Woman and Other Stories

Letter From an Unknown Woman and Other Stories by Stefan Zweig, Anthea Bell Page B

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Authors: Stefan Zweig, Anthea Bell
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fiery as burning clouds, her skin pale and translucent, her whole being shines and seems airy. From his cushions, which lie in shadow, he sees her face smiling close to him, and yet it looks far away because it is radiant with light that no longer reaches him. He forgets everything that has happened at this sight. And when she bends down to him, so that her eyes seem to be more profound, moving darkly inward, when she leans forward he puts his arm round her, brings her head close to his and kisses her delicate, moist mouth. She trembles like a leaf but does not resist, only caresses his hair with her hand. And then she says, merely breathing the words, with loving sorrow in her voice, “But Margot is the only one you love.” He feels that tone of devotion go straight to his heart, that gentle, unresisting despair, and the name that shakes him with emotion strikes at his very soul. But he dares not lie at that minute. He says nothing in reply.
    She kisses him once more, very lightly, an almost sisterly kiss on the lips, and then she goes out without a word.
    That is the only time they talk about it. A few more days, and then the convalescent is taken down to the garden, where the first faded leaves are already chasing across the path and early evening breathes an autumnal melancholy. Another few days, and he is walking alone with some difficulty, for the last time that year, under the colourful autumn canopy of leaves. The trees speak louder and more angrily now than on those three mild summer nights. The boy, in melancholy mood himself, goes to the place where they were once together. He feels as if an invisible, dark wall were standing here behind which, blurred in twilight already, his childhood lies; and now there is another land before him, strange and dangerous.
    He said goodbye to the whole party that evening, looked hard once more at Margot’s face, as if he had to drink enough of it in to last for the rest of his life, placed his hand restlessly in Elisabeth’s, which clasped it with warm ardour, almost looked past Kitty, their friends and his sister—his heart was so full of the realization that he loved one of the sisters and the other loved him. He was very pale, with a bitter expression on his face that made him seem more than a boy; for the first time, he looked like a man.
    And yet, when the horses were brought up and he saw Margot turn indifferently away to go back up the steps, and when Elisabeth’s eyes suddenly shone with moisture, and she held the balustrade, the full extent of his new experience overwhelmed him so entirely that he gave himself up to tears of his own like a child.
    The castle retreated farther into the distance, and through the dust raised by the carriage the dark garden looked smaller and smaller. Then came the countryside, and finally all that he had experienced was hidden from his eyes—but his memory was all the more vivid. Two hours of driving took him to the nearest railway station, and next morning he was in London.
    A few more years and he was no longer a boy. But that first experience had left too strong an impression ever to fade. Margot and Elisabeth had both married, but he did not want to see them again, for the memory of those hours sometimes came back to him so forcefully that his entire later life seemed to him merely a dream and an illusion by comparison with its reality. He became one of those men who cannot find a way of relating to women, because in one second of his life the sensation of both loving and being loved had united in him entirely; and now no longing urged him to look for what had fallen into his trembling, anxiously yielding boyish hands so early. He travelled in many countries, one of those correct, silent Englishmen whom many consider unemotional because they are so reserved, and their eyes look coolly away from the faces and smiles of women. For who thinks that they may bear in them, inextricably mingled with their blood, images on which their gaze

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