eagerly. It wasnât going to be a barrel oâ laughs climax, I guessed. Ms. Pines had said so already.
âYes,â Ms. Pines said. âThere is a climax.â She raised the orangish fingertips of her un-injured hand up to her shining, rounded cheeks and touched the skin there, as if her presence needed certifying. A gesture of dismay. I could smell the skin softener she used. âWhat do you hope for, Mr. Bascombe?â Ms. Pines looked directly at me, blinking her dark eyes to invoke seriousness. Things had worked their way around to me. Possibly I was about to be assigned accountability for something.
âWell, I try not to hope for too much,â I said. âIt puts pressure on the future at my age. If you know what I mean. Sometimes a hopeâll slip in when Iâm not paying attention.â I tried a conspiratorial smile. My best. â. . . That Iâll die before my wife does, for instance. Or something about my kids. Itâs pretty indistinct.â
âI hoped that about my husband,â Ms. Pines said. âBut then we divorced, and I wasnât always sure. And then he died.â
âIâm divorced,â I agreed. âI know about that.â
âItâs not always clear when your heartâs broken, is it?â
âItâs a lot clearer when itâs not.â
Ms. Pines turned and unexpectedly looked both ways around her, as if sheâd heard somethingâher name spoken, someone entering the room behind us. âIâve over-worked your hospitality, Mr. Bascombe.â She looked at me fleetingly, then past, out the sliding-door windows at the misty snow. She frowned at nothing I could see. Her body seemed to be about to rise.
âYou havenât,â I said. âItâs only eleven thirty.â I consulted my watch, though I eerily always know what time it isâas if a clock was ticking inside me, which it may be. âYou havenât told me the climax. Unless you donât want me to know.â
âIâm not sure you should ,â Ms. Pines said, returning her gaze solemnly to rest on me. âIt could alienate you from your house.â
âI sold real estate for twenty years,â I said. âHouses arenât that sacred to me. I sold this one twice before I bought it myself.â (In arrears from the bank.) âSomebody elseâll own it someday and tear it down.â (And build a shitty condo.)
âWe seem to need to know everything, donât we?â
âYouâre the history teacher,â I said. Though of course I was violating the belief-tenet on which Iâve staked much of my life: better not to know many things. Full disclosure is the myth of the fretting classes. Those who ignore history are no more likely to repeat it than anyone else but are more likely tofeel better about many things. Though, so determined was I to engage in an inter-racial substance-exchange, I clean forgot. It wouldnât have been racist, would it, to let Ms. Pines leave? President Obama wouldâve understood.
âWell. Yes, I certainly am,â Ms. Pines said, composing herself again. âSo. Sometime between Thanksgiving and Christmas of 1969 . . .â (neuropsychically, a spiritual dead zone, when suicides abound like meteor showers) â. . . something disrupting apparently took place between our parents. I possibly could have found out what. But I was young and simply didnât. My brother and I didnât talk about it. It could have been that our mother told our father she was leaving him and going away with the music teacher. Mr. Senlak. I donât know. It could have been something else. My mother could be very dramatic. She could have said some wounding and irretrievable thing. Matters had gotten bad.â
For the first time since Ms. Pines had been in my house, I could feature the lot of themâall four Pinesâbreathing in these rooms, climbing
Tara Stiles
Deborah Abela
Unknown
Shealy James
Milly Johnson
Brian D. Meeks
Zora Neale Hurston
J. T. Edson
Phoebe Walsh
Nikki McCormack