University Press, 1972.
Beck, James. “Leonardo’s Rapport with His Father.” Antichità viva 27 (1988): 5–12.
Bembo, Pietro. History of Venice . Ed. and trans. Robert W. Ulery Jr. Cambridge, MA: Harvard University Press, 2007.
Benivieni, Antonio. De abditis nonnullus ac mirandis morborum et sanatorium causis . Springfield, IL: Charles C. Thomas, 1954.
Berenson, Bernard. Italian Painters of the Renaissance , vol. 2. London: Phaidon, 1968.
Besta, Giacomo Filippo. Vera narratione del successo della peste che afflisse l’inclita città di Milano, l’anno 1576. Milan: Gottardo, 1578.
Black, Jane. Absolutism in Renaissance Milan: Plenitude of Power under the Visconti and the Sforza, 1329–1535 . Oxford: Oxford University Press, 2009.
Black, Robert. Education and Society in Florentine Tuscany: Teachers, Pupils and Schools, c. 1250–1500 . Leiden: Brill, 2007.
Borgo, Lodovico, and Ann H. Sievers. “The Medici Gardens at San Marco.” Mitteilungen des Kunsthistorischen Institutes in Florenz , 33. Bd., H. ⅔ (1989): 237–56.
Boswell, John. Christianity, Social Tolerance, and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century . Chicago: University of Chicago Press, 1981.
Bowd, Stephen D. Venice’s Most Loyal City: Civic Identity in Renaissance Brescia . Cambridge, MA: Harvard University Press, 2010.
Boyle, Marjorie O’Rourke. Senses of Touch: Human Dignity and Deformity from Michelangelo to Calvin . Leiden: Brill, 1998.
Brachert, Thomas. “A Musical Canon of Proportion in Leonardo da Vinci’s Last Supper .” Art Bulletin 53 (December 1971): 461–66.
Bramly, Serge. Leonardo: The Artist and the Man . London: Michael Joseph, 1992.
Britton, Piers. “‘ Mio malinchonico, o vero... mio pazzo ’: Michelangelo, Vasari, and the Problem of Artists’ Melancholy in Sixteenth-Century Italy.” Sixteenth Century Journal 34 (Fall 2003): 653–75.
Brown, David Alan. Leonardo da Vinci: Origins of a Genius . New Haven: Yale University Press, 1998.
Brucker, Gene A. The Society of Renaissance Florence: A Documentary Study . Toronto: University of Toronto Press, 1998.
Bruschi, Arnaldo. Bramante . London: Thames & Hudson, 1977.
Bull, David. “Two Portraits by Leonardo: Ginevra de’ Benci and the Lady with an Ermine .” Artibus et Historiae 13 (1992): 67–83.
Buonarroti, Michelangelo. The Letters of Michelangelo , vol. 1. Ed. E. H. Ramsden. Stanford: Stanford University Press, 1963.
Burckhardt, Jacob. Italian Renaissance Painting According to Genres . Los Angeles: Getty Publications, 2005.
Burkett, Delbert, ed. The Blackwell Companion to Jesus . Oxford: Blackwell, 2011.
Cartwright, Julia. Beatrice d’Este, Duchess of Milan, 1475–1497: A Study of the Renaissance . London: J. M. Dent & Sons, 1910.
Castiglione, Sabba da. Ricordi overo ammaestramenti . Venice, 1554.
Cecchi, Alessandro. “New Light on Leonardo’s Florentine Patrons.” In Leonardo da Vinci: Master Draftsman . Ed. Carmen C. Bambach, 120–39. New York and New Haven: Metropolitan Museum of Art and Yale University Press, 2003.
Cennini, Cennino. The Book of the Art of Cennino Cennini . Trans. Christiana J. Herringham. London: George Allen & Unwin, 1899.
Cerretani, Bartolomeo. Storia fiorentina . Ed. Giuliana Berti. Florence: Leo S. Olschki, 1994.
Cianchi, Francesco. La madre di Leonardo era una schiava? Ipotesi di studio di Renzo Cianchi . Vinci: Museo Ideale Leonardo da Vinci, 2008.
Clark, Kenneth. Leonardo da Vinci , rev. ed. Introduction by Martin Kemp. London: Penguin, 1989.
Clark, Kenneth, and Carlo Pedretti, eds. The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle , 3 vols. London: Phaidon, 1969.
Clayton, Martin. Leonardo da Vinci: The Divine and the Grotesque . London: The Royal Collection, 2002.
Commines, Philip de. The Memoirs of Philip de Commines, Lord of Argenton , vol. 2. Ed. Andrew R. Scoble. London: Henry G. Bohn, 1856.
Condivi, Ascanio. The Life of
Beck, James. “Leonardo’s Rapport with His Father.” Antichità viva 27 (1988): 5–12.
Bembo, Pietro. History of Venice . Ed. and trans. Robert W. Ulery Jr. Cambridge, MA: Harvard University Press, 2007.
Benivieni, Antonio. De abditis nonnullus ac mirandis morborum et sanatorium causis . Springfield, IL: Charles C. Thomas, 1954.
Berenson, Bernard. Italian Painters of the Renaissance , vol. 2. London: Phaidon, 1968.
Besta, Giacomo Filippo. Vera narratione del successo della peste che afflisse l’inclita città di Milano, l’anno 1576. Milan: Gottardo, 1578.
Black, Jane. Absolutism in Renaissance Milan: Plenitude of Power under the Visconti and the Sforza, 1329–1535 . Oxford: Oxford University Press, 2009.
Black, Robert. Education and Society in Florentine Tuscany: Teachers, Pupils and Schools, c. 1250–1500 . Leiden: Brill, 2007.
Borgo, Lodovico, and Ann H. Sievers. “The Medici Gardens at San Marco.” Mitteilungen des Kunsthistorischen Institutes in Florenz , 33. Bd., H. ⅔ (1989): 237–56.
Boswell, John. Christianity, Social Tolerance, and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century . Chicago: University of Chicago Press, 1981.
Bowd, Stephen D. Venice’s Most Loyal City: Civic Identity in Renaissance Brescia . Cambridge, MA: Harvard University Press, 2010.
Boyle, Marjorie O’Rourke. Senses of Touch: Human Dignity and Deformity from Michelangelo to Calvin . Leiden: Brill, 1998.
Brachert, Thomas. “A Musical Canon of Proportion in Leonardo da Vinci’s Last Supper .” Art Bulletin 53 (December 1971): 461–66.
Bramly, Serge. Leonardo: The Artist and the Man . London: Michael Joseph, 1992.
Britton, Piers. “‘ Mio malinchonico, o vero... mio pazzo ’: Michelangelo, Vasari, and the Problem of Artists’ Melancholy in Sixteenth-Century Italy.” Sixteenth Century Journal 34 (Fall 2003): 653–75.
Brown, David Alan. Leonardo da Vinci: Origins of a Genius . New Haven: Yale University Press, 1998.
Brucker, Gene A. The Society of Renaissance Florence: A Documentary Study . Toronto: University of Toronto Press, 1998.
Bruschi, Arnaldo. Bramante . London: Thames & Hudson, 1977.
Bull, David. “Two Portraits by Leonardo: Ginevra de’ Benci and the Lady with an Ermine .” Artibus et Historiae 13 (1992): 67–83.
Buonarroti, Michelangelo. The Letters of Michelangelo , vol. 1. Ed. E. H. Ramsden. Stanford: Stanford University Press, 1963.
Burckhardt, Jacob. Italian Renaissance Painting According to Genres . Los Angeles: Getty Publications, 2005.
Burkett, Delbert, ed. The Blackwell Companion to Jesus . Oxford: Blackwell, 2011.
Cartwright, Julia. Beatrice d’Este, Duchess of Milan, 1475–1497: A Study of the Renaissance . London: J. M. Dent & Sons, 1910.
Castiglione, Sabba da. Ricordi overo ammaestramenti . Venice, 1554.
Cecchi, Alessandro. “New Light on Leonardo’s Florentine Patrons.” In Leonardo da Vinci: Master Draftsman . Ed. Carmen C. Bambach, 120–39. New York and New Haven: Metropolitan Museum of Art and Yale University Press, 2003.
Cennini, Cennino. The Book of the Art of Cennino Cennini . Trans. Christiana J. Herringham. London: George Allen & Unwin, 1899.
Cerretani, Bartolomeo. Storia fiorentina . Ed. Giuliana Berti. Florence: Leo S. Olschki, 1994.
Cianchi, Francesco. La madre di Leonardo era una schiava? Ipotesi di studio di Renzo Cianchi . Vinci: Museo Ideale Leonardo da Vinci, 2008.
Clark, Kenneth. Leonardo da Vinci , rev. ed. Introduction by Martin Kemp. London: Penguin, 1989.
Clark, Kenneth, and Carlo Pedretti, eds. The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle , 3 vols. London: Phaidon, 1969.
Clayton, Martin. Leonardo da Vinci: The Divine and the Grotesque . London: The Royal Collection, 2002.
Commines, Philip de. The Memoirs of Philip de Commines, Lord of Argenton , vol. 2. Ed. Andrew R. Scoble. London: Henry G. Bohn, 1856.
Condivi, Ascanio. The Life of
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